A revelatory glimpse into the future of photography, one where the very nature of how images are created is fundamentally transformed by artificial intelligence. An invaluable roadmap in a new world.
The revolution caused by artificial intelligence in terms of what a photograph can and cannot do is profound. This book looks at photography's strengths, what it has meant for individuals and for society, its massive transformations caused by a variety of factors in the digital age, and the newer possibilities for image making. These include old and new media, with an emphasis on synthetic imaging as both a positive and terrifying development.
In 1840, a year after photography's invention, the painter Paul Delaroche exclaimed, "From now on, painting is dead." Photography was quicker and cheaper as a representational medium and more realistic, its invention also liberated painters to become much more adventurous, embracing approaches that included impressionism, cubism, minimalism, and abstract expressionism. So too photographers are being challenged today. Many have responded with new strategies, but more innovation is needed. Can photographers be as radically expansive and revolutionary as painters were? Can they preserve or even expand the photograph's role in society as a credible witness? Can the photographic image morph into forms previously unimagined?
The Synthetic Eye is about this transformative revolution. How can synthetic imagery be utilized to amplify our understanding of ourselves and our worlds? Can an alternative photography deepen and expand the medium's previous reach? What are the pitfalls? How will our senses of the real, the possible, and the actual be affected?
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Fred Ritchin is a writer, educator, and photography critic. Currently the dean emeritus of the International Center of Photography (ICP) School, Ritchin was also the founding director of the documentary photography and photojournalism program at the ICP. Prior to joining ICP, Ritchin was professor of photography and imaging at New York University's Tisch School of the Arts and codirector of the NYU/Magnum Foundation photography and human rights educational program.
A revelatory glimpse into the future of photography, one where the very nature of how images are created is fundamentally transformed by artificial intelligence. An invaluable roadmap in a new world.
The revolution caused by artificial intelligence in terms of what a photograph can and cannot do is profound. This book looks at photography's strengths, what it has meant for individuals and for society, its massive transformations caused by a variety of factors in the digital age, and the newer possibilities for image making. These include old and new media, with an emphasis on synthetic imaging as both a positive and terrifying development.
In 1840, a year after photography's invention, the painter Paul Delaroche exclaimed, "From now on, painting is dead." Photography was quicker and cheaper as a representational medium and more realistic, its invention also liberated painters to become much more adventurous, embracing approaches that included impressionism, cubism, minimalism, and abstract expressionism. So too photographers are being challenged today. Many have responded with new strategies, but more innovation is needed. Can photographers be as radically expansive and revolutionary as painters were? Can they preserve or even expand the photograph's role in society as a credible witness? Can the photographic image morph into forms previously unimagined?
The Synthetic Eye is about this transformative revolution. How can synthetic imagery be utilized to amplify our understanding of ourselves and our worlds? Can an alternative photography deepen and expand the medium's previous reach? What are the pitfalls? How will our senses of the real, the possible, and the actual be affected?
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Like New. An essential investigation into the murky ethics of AI, one that calls into question the future of photography. Artificial Intelligence is driving a fourth industrial revolution and, as The Synthetic Eye shows, the centre will not hold. How can we believe or trust the images we are being shown? What role do photographers, the media and technology companies have in upholding the authenticity of photographs? Can synthetic imagery be utilized to enhance our understanding of our world? A revelatory roadmap of today?s image universe, The Synthetic Eye explores how Artificial Intelligence has fundamentally transformed our sense of the real, the possible and the actual. Arranged into seven distinct chapters, it interrogates AI?s engagement with history, how it has changed our understanding of reality, and the positive opportunities and dystopian scenarios that lurk beneath the surface of artificially generated images. N° de réf. du vendeur 00096265062
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Paperback. Etat : Like New. An essential investigation into the murky ethics of AI, one that calls into question the future of photography. Artificial Intelligence is driving a fourth industrial revolution and, as The Synthetic Eye shows, the centre will not hold. How can we believe or trust the images we are being shown? What role do photographers, the media and technology companies have in upholding the authenticity of photographs? Can synthetic imagery be utilized to enhance our understanding of our world? A revelatory roadmap of today?s image universe, The Synthetic Eye explores how Artificial Intelligence has fundamentally transformed our sense of the real, the possible and the actual. Arranged into seven distinct chapters, it interrogates AI?s engagement with history, how it has changed our understanding of reality, and the positive opportunities and dystopian scenarios that lurk beneath the surface of artificially generated images. N° de réf. du vendeur CIN0500297398LN
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Paperback. Etat : New. An essential investigation into the murky ethics of AI, one that calls into question the future of photography. Artificial Intelligence is driving a fourth industrial revolution and, as The Synthetic Eye shows, the centre will not hold. How can we believe or trust the images we are being shown? What role do photographers, the media and technology companies have in upholding the authenticity of photographs? Can synthetic imagery be utilized to enhance our understanding of our world? A revelatory roadmap of today's image universe, The Synthetic Eye explores how Artificial Intelligence has fundamentally transformed our sense of the real, the possible and the actual. Arranged into seven distinct chapters, it interrogates AI's engagement with history, how it has changed our understanding of reality, and the positive opportunities and dystopian scenarios that lurk beneath the surface of artificially generated images. N° de réf. du vendeur LU-9780500297391
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