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A Cabinet of Rarities: Antiquarian Obsessions and the Spell of Death - Couverture rigide

Desmazieres

 
9780500516348: A Cabinet of Rarities: Antiquarian Obsessions and the Spell of Death

Synopsis

Erik Desmazières is acknowledged as a contemporary master of the art of etching. With breathtaking virtuosity, he recreates interiors, cityscapes, landscapes and fantastical compositions from a Piranesian world. Any new work Desmazières produces is a bibliophiles delight; and this book, the first in which he uses colour, reimagines the arcane world of the cabinet of curiosities: antiquarian collections of the recondite, rare and bizarre, which reminded the viewer of the vanity of earthly life. Patrick Maurièss text is in three parts. The first locates Desmazières and his work in the long tradition of artist-printmakers; the second surveys the world of 17th-century antiquarianism and its intriguing cast of characters (John Evelyn, John Aubrey and, above all, Thomas Browne, plus many of their continental counterparts); and in the third Mauriès examines todays reawakened interest in cabinets of rarities and curiosities, and considers how a phenomenon once considered the preserve of specialists has entered the cultural mainstream.

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À propos de l'auteur

Erik Desmazières is a French engraver and printmaker, who is represented in numerous important public and private collections all over the world.

À propos de la quatrième de couverture

Erik Desmazières is acknowledged as a contemporary master of the art of etching. With breathtaking virtuosity, he recreates interiors, cityscapes, landscapes and fantastical compositions from a Piranesian world. Any new work Desmazières produces is a bibliophiles delight; and this book, the first in which he uses colour, reimagines the arcane world of the cabinet of curiosities: antiquarian collections of the recondite, rare and bizarre, which reminded the viewer of the vanity of earthly life. Patrick Maurièss text is in three parts. The first locates Desmazières and his work in the long tradition of artist-printmakers; the second surveys the world of 17th-century antiquarianism and its intriguing cast of characters (John Evelyn, John Aubrey and, above all, Thomas Browne, plus many of their continental counterparts); and in the third Mauriès examines todays reawakened interest in cabinets of rarities and curiosities, and considers how a phenomenon once considered the preserve of specialists has entered the cultural mainstream.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.