Robert Rauschenberg Photographs 1949 - 1962, 9780500544006
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
DavidWhite was the curator for Robert Rauschenberg from 1980 until the artist’s death in 2008, and continues in that capacity with his Estate.
Susan Davidson is Senior Curator, Collections & Exhibitions, at the Solomon R. Guggenheim, and is also aTrustee of the Robert Rauschenberg Foundation.
Robert Rauschenbergs engagement with photography began in the late 1940s under the tutelage of Aaron Siskind and Hazel Larsen Archer at Black Mountain College in North Carolina. Their combined influence was so great that for a time Rauschenberg was unsure whether to pursue painting or photography as a career. Instead he chose both. This volume gathers and surveys Rauschenbergs numerous uses of photography for the first time. It includes portraits of friends, studio shots, photographs used in the Combines series, silkscreens, photographs of lost works and works in progress, allowing us to re-imagine almost the entirety of the artists work in light of his always inventive uses of photography, while also supplying previously unseen glimpses into his social nexus of the 1950s and 60s.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : HPB Inc., Dallas, TX, Etats-Unis
paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_475594330
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 15228524-6
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Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Minor shelf wear; small fray at bottom edge of rear jacket panel. Else a bright, clean copy. This volume gathers and surveys Rauschenberg's numerous uses of photography for the first time. It includes portraits of friends such as Cy Twombly, Jasper Johns, Willem de Kooning, Merce Cunningham and John Cage, studio shots, photographs used in the Combines series, silkscreens, photographs of lost works and works in progress - allowing us to reimagine almost the entirety of the artist's work in light of his uses of photography, while also supplying previously unseen glimpses into his social nexus of the 1950s and 60s. Robert Rauschenberg's engagement with photography began in the late 1940s during his time at Black Mountain College in North Carolina; for a while he was even unsure whether to pursue painting or photography as a career. Instead he chose both. He found ways to fold photography into his Combines, and maintained a practice of photographing friends and family, documenting the evolution of works and occasionally dramatizing them by inserting himself into the picture frame. As the distinguished curator Walter Hopps wrote, 'The use of photography has long been an essential device for Rauschenberg's melding of imagery. [and] a vital means for Rauschenberg's aesthetic investigations of how humans perceive, select and combine visual information. Without photography, much of Rauschenberg's oeuvre would scarcely exist.' The artist himself affirmed, 'I've never stopped being a photographer.'. N° de réf. du vendeur 2040697
Quantité disponible : 1 disponible(s)
Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Minor shelf wear. Else a bright, clean copy. This volume gathers and surveys Rauschenberg's numerous uses of photography for the first time. It includes portraits of friends such as Cy Twombly, Jasper Johns, Willem de Kooning, Merce Cunningham and John Cage, studio shots, photographs used in the Combines series, silkscreens, photographs of lost works and works in progress - allowing us to reimagine almost the entirety of the artist's work in light of his uses of photography, while also supplying previously unseen glimpses into his social nexus of the 1950s and 60s. Robert Rauschenberg's engagement with photography began in the late 1940s during his time at Black Mountain College in North Carolina; for a while he was even unsure whether to pursue painting or photography as a career. Instead he chose both. He found ways to fold photography into his Combines, and maintained a practice of photographing friends and family, documenting the evolution of works and occasionally dramatizing them by inserting himself into the picture frame. As the distinguished curator Walter Hopps wrote, 'The use of photography has long been an essential device for Rauschenberg's melding of imagery. [and] a vital means for Rauschenberg's aesthetic investigations of how humans perceive, select and combine visual information. Without photography, much of Rauschenberg's oeuvre would scarcely exist.' The artist himself affirmed, 'I've never stopped being a photographer.'. N° de réf. du vendeur 2040696
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Vendeur : Librairie chemin des arts, PARIS, France
Couverture souple. Etat : Très bon. N° de réf. du vendeur MRR/M100526.1610
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