. large format, 1996 clean bright copy
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
In later years Turner sappearance was far from engaging. Short, stout, and bandylegged, his hat always brushed the wrong way, his sleeves long enough to hide the smallest and dirtiest hands on record, his nose hooked and prominent, his blue-gray eyes staring, his face as red as a boiled lobster, he looked like the captain of a river steamer. A ware of his unprepossessing aspect, Turner would never have his portrait taken, although several furtive sketches were made of him. In his youth, however, he once sat for a profile drawing, and painted three likenesses of himself, the most important of which, reproduced above, shows him at about twenty-seven.
(Typographical errors above are due to OCR software and don't occur in the book.)
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Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.
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Michael Bockemuhl (b. 1943) studied art history, philosophy and ecclesiastical history in Munich and Bochum. He qualified as a professor in 1984 at the Ruhr University, and lecturered in the history of the art of late antiquity, the Middle Ages and the early modern age. In 1990 he was awarded a chair in the science of art, aesthetics and art education by Witten Herdecke University. His TASCHEN monographs include "Rembrandt" (1991) and "William Turner" (1991).
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Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Paperback. Etat : Near Fine. 1st. 240 pages, colour illustrations; 29 cm. Published on the occasion of an exhibition held at the National Gallery of Australia, 16 March to 10 June 1996. Near fine. Firm binding, clean inside copy. Light edgewear to wraps, age toning. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** CONTENTS: Past and Present: Turner and his Brother Artists, by Andrew Wilton; Dunstanborough Castle, 1797-1834, by Evelyn Joll; Rule, Brittania?; Patriotism, Progress and the Picturesque in Turner's Britain, by David Blayney Brown; Picturesque Views in England and Wales; The Burning of the Houses of Parliament, by Evelyn Joll; Turner: A Watershed in Watercolour, by John Gage; The Late Swiss Watercolours, by Irena Zdanowicz; Venetian Journey, by Margaret Plant; Turner's Last Journey, by John Golding; Being There, by Michael Lloyd; Turner and the Origins of Landscape Painting in Australia, by Andrew Sayers; Liber Studiorum; List of Works in the Exhibition; Index of Works by J.M.W. Turner illustrated in this Catalogue. Size: 4to. N° de réf. du vendeur 099088
Quantité disponible : 1 disponible(s)
Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover exhibition catalog, 240 pages, very good condition, no internal marks. Priority and foreign shipping may be extra. N° de réf. du vendeur TuLlNa40
Quantité disponible : 1 disponible(s)
Vendeur : Black Stump Books And Collectables, Skipton, VIC, Australie
Large Limp Cover. Etat : Fine. First Edition. Turner Exhibition organised by Michael Lloyd, Evelyn Joll and Lyn Conybeare. June-September 1996. 240 pages. Lavishly illustrated with Turner's colour plates. Almost as good as new. Just a beautiful book. N° de réf. du vendeur 002789
Quantité disponible : 1 disponible(s)