Richard Hamilton Painting By Numbers /anglais - Couverture souple

Hamilton, Richard

Couverture souple

ISBN 10 : 0500976635 ISBN 13 : 9780500976630

Editeur : Thames & Hudson Ltd, 2007

Synopsis

A step-by-step primer on the latest computer art technologies covers the artist's own contributions to its development and application, in a volume that traces the process of four print projects while covering such topics as digital imaging and ink jet printing. Original.

A propos du livre

Présentation de l'éditeur

Still little-known in the United States, Richard Hamilton is a key figure in twentieth-century art. An original member of the legendary Independent Group in London in the 1950s, Hamilton organized or participated in groundbreaking exhibitions associated with the group--in particular This Is Tomorrow (1956), for which his celebrated collage Just what is it that makes today's homes so different, so appealing?, crystallizing the postwar world of consumer capitalism, was made. With his colleagues in the Independent Group, Hamilton promoted the artistic investigation of popular culture, undertaking this analysis in paintings, prints, and texts, thus setting the stage for Pop art--indeed, he is often called the intellectual father of Pop. At the same time, Hamilton was crucial to the postwar reception of Marcel Duchamp, transcribing his notes for The Large Glass and producing a reconstruction of this epochal piece for the first Duchamp retrospective in Britain, in 1966. Over the years Hamilton has continued to develop his work, in a variety of media, on subjects ranging from the Rolling Stones to the Troubles in Northern Ireland, from new commodities and technologies to the oldest genres in Western painting. True to the mission of the October Files series, this volume collects the most telling essays on Hamilton (including several hard-to-find texts by the artist), spanning the entire range of his extraordinary career. October Files series

Biographie de l'auteur

Hal Foster is Townsend Martin '17 Professor of Art and Archaeology at Princeton University. He is the author of Compulsive Beauty (1993), The Return of the Real: Art and Theory at the End of the Century (1996), and Prosthetic Gods (2004), all published by the MIT Press, and other books.

Détails de l'édition

• Éditeur: Thames & Hudson Ltd
• Date d'édition: 2007
• Langue: anglais
• ISBN 10: 0500976635
• ISBN 13: 9780500976630
• Reliure: Broché
• Nombre de pages: 60
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible