The discovery on papyrus of plays by Menander, the greatest writer of Greek New Comedy, at last makes possible an evaluation on his own terms of an ancient author who, through the adaptations of Plautus and Terence, profoundly influenced the course of western drama. The present study establishes a critical perspective for understanding the kind of comedy Menander wrote, his roots, the theatrical effects he sought, and the extent of his achievement. Chapters on the major plays analyse their techniques of construction and characterisation, suggesting both the strengths and the limitations of Menander's comic tradition.This study is based on the Oxford Greek text but cites all ancient authors in translation to open the discussion to a wider audience. An introductory chapter places the tradition of New Comedy in the history of drama, and modern parallels are drawn wherever helpful. It will therefore be of value to students of drama as well as to classicists.
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The discovery on papyrus of plays by Menander, the greatest writer of Greek New Comedy, at last makes possible an evaluation on his own terms of an ancient author who, through the adaptations of Plautus and Terence, profoundly influenced the course of western drama. The present study establishes a critical perspective for understanding the kind of comedy Menander wrote, his roots, the theatrical effects he sought, and the extent of his achievement. Chapters on the major plays analyse their techniques of construction and characterisation, suggesting both the strengths and the limitations of Menander's comic tradition.
This study is based on the Oxford Greek text but cites all ancient authors in translation to open the discussion to a wider audience. An introductory chapter places the tradition of New Comedy in the history of drama, and modern parallels are drawn wherever helpful. It will therefore be of value to students of drama as well as to classicists.
Sander M. Goldberg teaches in the Department of Classics at the University of California, Berkeley.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
hardcover. Etat : Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized. N° de réf. du vendeur mon0000278464
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Vendeur : Books From California, Simi Valley, CA, Etats-Unis
Hardcover. Etat : Very Good. N° de réf. du vendeur mon0003540032
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Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Hardcover. Etat : Used-Very Good. Cloth, d.j. Some shelf-wear. Else clean copy. N° de réf. du vendeur 1781566
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Vendeur : J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, Etats-Unis
Hardcover. 148pp. Previous owner's name, else very good plus, clean & tight condition / sunned dust jacket. N° de réf. du vendeur 164946
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Vendeur : Scrinium Classical Antiquity, Aalten, Pays-Bas
University of California Press, Berkeley / Los Angeles, 1980. VIII,148p. Original blue cloth witj dust wrps. Spine gilt titled. Upper edge slightly foxed. This book 'offers a sound, clear and up-to-date basic introduction to the best preserved plays of Menander. (.) Two introductory chapters discuss the development of Greek Comedy, the nature of its audience, its conventions and (above all) its relationship to Tragedy. We are introduced to three aspects of play-writing which are examined in more detail in the following three chapters each with reference to one particular play (.). Each play is discussed primarily from its chosen angle, but other aspects are not neglected.' (P.G.McC. BROWN in The Classical Review (New Series), 1985, pp.18-19). N° de réf. du vendeur 54417
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