Book by Huet Marie Helene
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Vendeur : BookHolders, Towson, MD, Etats-Unis
Etat : Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Reprint ] Publisher: Univ of California Pub Date: 1/1/1982 Binding: hardcover Pages: 116 Reprint edition. N° de réf. du vendeur 6948356
Quantité disponible : 1 disponible(s)
Vendeur : Boswell's Books, Shelburne Falls, MA, Etats-Unis
hardcover. Etat : Near Fine. Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders. N° de réf. du vendeur 1739189
Quantité disponible : 1 disponible(s)
Vendeur : Roundabout Books, Greenfield, MA, Etats-Unis
hardcover. Etat : Near Fine. Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders. N° de réf. du vendeur 1739189
Quantité disponible : 1 disponible(s)
Vendeur : Moraine Books, Ruovesi, Finlande
Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. Text in English. 116 pp. A fine copy with no markings. Light rubbing on the dust jacket. In her study of the French revolutionary theater Marie-Hélène Huet proposes a new and provocative interpretation of the Stage. While previous essays have stressed the ideological content of revolutionary drama, Huet explores the basic structures of the theater (stage-audience, actor-spectator) as aesthetic and political divisions. She finds a symmetrical organization at work in both the trial and execution of King Louis XVI and in the assassination of Jean-Paul Marat as it was reenacted in the theaters of the time. The tribunal and the stage, Huet argues, define and circumscribe a network where the power of the written Law both sustains and undermines the power of the spoken word, Her essay offers a theory of the theater that extends beyond the French Revolution to integrate and comment upon recent critical writings on representation. N° de réf. du vendeur 3728
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