The subject of this book is theatre directing in four internationally famous instances. The four directors--Konstantin Stanislavsky, Bertolt Brecht, Elia Kazan, and Peter Brook--all were monarchs of the profession in their time. Without their work, theatre in the twentieth century--so often called "the century of the director" --would have a radically different shape and meaning. The four men are also among the dozen or so modern directors whose theatrical achievements have become culture phenomena. In histories, theories, hagiographies, and polemics, these directors are conferred classic stature, as are the four plays on which they worked. Chekhov's The Seagull, Brecht's Mother Courage and Her Children, and Williams's A Streetcar Named Desire have long been recognized, in the theatre and in the study, as masterpieces. They are anthologized, quoted, taught, parodied, read, and produced constantly and globally. The culturally conservative might question the presence of MaratiSade in such august company, but Peter Weiss's play stands every chance of figuring in Western repertories, classroom study, and theatrical histories until well into the twenty-first century. In their quite different ways, these are all classics of that Western drama which is part of our immediate heritage.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
David Richard Jones teaches English and Theatre Arts at the University of New Mexico.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Good. The subject of this book is theatre directing in four internationally famous instances. The four directors--Konstantin Stanislavsky, Bertolt Brecht, Elia Kazan, and Peter Brook--all were monarchs of the profession in their time. Without their work, theatre in the twentieth century--so often called the century of the director --would have a radically different shape and meaning. The four men are also among the dozen or so modern directors whose theatrical achievements have become culture phenomena. In histories, theories, hagiographies, and polemics, these directors are conferred classic stature, as are the four plays on which they worked. Chekhov's The Seagull, Brecht's Mother Courage and Her Children, and Williams's A Streetcar Named Desire have long been recognized, in the theatre and in the study, as masterpieces. They are anthologized, quoted, taught, parodied, read, and produced constantly and globally. The culturally conservative might question the presence of MaratiSade in such august company, but Peter Weiss's play stands every chance of figuring in Western repertories, classroom study, and theatrical histories until well into the twenty-first century. In their quite different ways, these are all classics of that Western drama which is part of our immediate heritage. N° de réf. du vendeur 00107317766
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Very Good. The subject of this book is theatre directing in four internationally famous instances. The four directors--Konstantin Stanislavsky, Bertolt Brecht, Elia Kazan, and Peter Brook--all were monarchs of the profession in their time. Without their work, theatre in the twentieth century--so often called the century of the director --would have a radically different shape and meaning. The four men are also among the dozen or so modern directors whose theatrical achievements have become culture phenomena. In histories, theories, hagiographies, and polemics, these directors are conferred classic stature, as are the four plays on which they worked. Chekhov's The Seagull, Brecht's Mother Courage and Her Children, and Williams's A Streetcar Named Desire have long been recognized, in the theatre and in the study, as masterpieces. They are anthologized, quoted, taught, parodied, read, and produced constantly and globally. The culturally conservative might question the presence of MaratiSade in such august company, but Peter Weiss's play stands every chance of figuring in Western repertories, classroom study, and theatrical histories until well into the twenty-first century. In their quite different ways, these are all classics of that Western drama which is part of our immediate heritage. N° de réf. du vendeur 00102310439
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Paperback. Etat : Good. The subject of this book is theatre directing in four internationally famous instances. The four directors--Konstantin Stanislavsky, Bertolt Brecht, Elia Kazan, and Peter Brook--all were monarchs of the profession in their time. Without their work, theatre in the twentieth century--so often called the century of the director --would have a radically different shape and meaning. The four men are also among the dozen or so modern directors whose theatrical achievements have become culture phenomena. In histories, theories, hagiographies, and polemics, these directors are conferred classic stature, as are the four plays on which they worked. Chekhov's The Seagull, Brecht's Mother Courage and Her Children, and Williams's A Streetcar Named Desire have long been recognized, in the theatre and in the study, as masterpieces. They are anthologized, quoted, taught, parodied, read, and produced constantly and globally. The culturally conservative might question the presence of MaratiSade in such august company, but Peter Weiss's play stands every chance of figuring in Western repertories, classroom study, and theatrical histories until well into the twenty-first century. In their quite different ways, these are all classics of that Western drama which is part of our immediate heritage. N° de réf. du vendeur CIN0520061748G
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Very Good. The subject of this book is theatre directing in four internationally famous instances. The four directors--Konstantin Stanislavsky, Bertolt Brecht, Elia Kazan, and Peter Brook--all were monarchs of the profession in their time. Without their work, theatre in the twentieth century--so often called the century of the director --would have a radically different shape and meaning. The four men are also among the dozen or so modern directors whose theatrical achievements have become culture phenomena. In histories, theories, hagiographies, and polemics, these directors are conferred classic stature, as are the four plays on which they worked. Chekhov's The Seagull, Brecht's Mother Courage and Her Children, and Williams's A Streetcar Named Desire have long been recognized, in the theatre and in the study, as masterpieces. They are anthologized, quoted, taught, parodied, read, and produced constantly and globally. The culturally conservative might question the presence of MaratiSade in such august company, but Peter Weiss's play stands every chance of figuring in Western repertories, classroom study, and theatrical histories until well into the twenty-first century. In their quite different ways, these are all classics of that Western drama which is part of our immediate heritage. N° de réf. du vendeur CIN0520061748VG
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
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