In this contribution to the theory of art, Jacqueline Lichtenstein discusses the importance of colour in reconciling ancient differences between rhetoric and painting. The visible world has been suspect since Plato accused the Sophists of relying on rhetorical show, of being in effect makeup artists. Before the 17th century, these differences were manifest in a valorization of design over colour. But in the 17th century, the image suddenly becomes an essential agent of thought. Rhetorical colour is revalued along with colour in painting, with cosmetics, and with all that belonged to the feminine, as a sensual force necessary to reconcile reason and pleasure, action and passion. Lichtenstein thus identifies a major shift in European theories of meaning, gender and the relationship between the world and the image.
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Jacqueline Lichtenstein is Associate Professor of French at the University of California, Berkeley.
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Hardcover. Etat : Like New. First Edition. First Edition, First Printing. Published by University of California Press, 1993. Octavo. Hardcover. Book is like new. Dust jacket is like new with very light shelf wear. An excellent copy of this collection of essays from Lichtenstein on the theory of art.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. N° de réf. du vendeur 306213
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1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Series: New historicism ; 18. Physical description: xii, 269 pages : illustrations ; 24 cm. Subjects: Piles, Roger de 1635-1709; Painting, French 17th century; Classicism in art France; Color in painting; Art Philosophy; Color in art History; Engraving France 17th century; Art, French - 17th/18th centuries. 1 Kg. N° de réf. du vendeur 423085
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1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Series: New historicism ; 18. Physical description: xii, 269 pages : illustrations ; 24 cm. Subjects: Piles, Roger de 1635-1709; Painting, French 17th century; Classicism in art France; Color in painting; Art Philosophy; Color in art History; Engraving France 17th century; Art, French - 17th/18th centuries. 1 Kg. N° de réf. du vendeur 423085
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