Robert Sowers begins this book by questioning our conception of the visual arts―painting, sculpture, and architecture―as autonomous, archetypal entities that can be defined independent of one another in terms of their materials and techniques. He cuts through the limits of categorization we have come to accept to lay the groundwork for a coherent theory of the relation between the visual arts. He proposes that we treat the pictorial, the sculptural, and the architectural not as palpable physical "things" but as activities―the basic forms of visual expression employed to create such distinct artifacts as paintings, statues, and buildings.
By defining the expressive function of each art, Sowers helps us to understand what we mean when we speak of the sculptural qualities of architecture or the pictorial qualities of sculpture. The world of visual art then is a structured whole, a world in which the arts can meet, merge with, and mutually reinforce or swear at one another, often in unexpected yet compelling ways.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Robert Sowers is a painter, photographer, and specialist on stained glass. He has published several works including Stained Glass: An Architectural Art (1965) and The Language of Stained Glass (1981).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Good. Robert Sowers begins this book by questioning our conception of the visual arts?painting, sculpture, and architecture?as autonomous, archetypal entities that can be defined independent of one another in terms of their materials and techniques. He cuts through the limits of categorization we have come to accept to lay the groundwork for a coherent theory of the relation between the visual arts. He proposes that we treat the pictorial, the sculptural, and the architectural not as palpable physical "things" but as activities?the basic forms of visual expression employed to create such distinct artifacts as paintings, statues, and buildings.By defining the expressive function of each art, Sowers helps us to understand what we mean when we speak of the sculptural qualities of architecture or the pictorial qualities of sculpture. The world of visual art then is a structured whole, a world in which the arts can meet, merge with, and mutually reinforce or swear at one another, often in unexpected yet compelling ways. N° de réf. du vendeur 00057744990
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Vendeur : Wonder Book, Frederick, MD, Etats-Unis
Etat : As New. Like New condition. A near perfect copy that may have very minor cosmetic defects. N° de réf. du vendeur Q11P-00118
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Vendeur : R Bookmark, Youngtown, AZ, Etats-Unis
Trade Paperback. Etat : Used - Good. N° de réf. du vendeur 324681
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur GRP88915595
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Good. Robert Sowers begins this book by questioning our conception of the visual arts?painting, sculpture, and architecture?as autonomous, archetypal entities that can be defined independent of one another in terms of their materials and techniques. He cuts through the limits of categorization we have come to accept to lay the groundwork for a coherent theory of the relation between the visual arts. He proposes that we treat the pictorial, the sculptural, and the architectural not as palpable physical "things" but as activities?the basic forms of visual expression employed to create such distinct artifacts as paintings, statues, and buildings.By defining the expressive function of each art, Sowers helps us to understand what we mean when we speak of the sculptural qualities of architecture or the pictorial qualities of sculpture. The world of visual art then is a structured whole, a world in which the arts can meet, merge with, and mutually reinforce or swear at one another, often in unexpected yet compelling ways. N° de réf. du vendeur CIN0520069927G
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Vendeur : Vortex Books, Teddington, MIDDX, Royaume-Uni
Soft cover. Etat : Fine. 1st Edition. First printing. Uninscribed, no wear. N° de réf. du vendeur 4075
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Vendeur : George Longden, Macclesfield, Royaume-Uni
Paperback. Etat : Very Good. Pictorial card covers. 255 x 175 mm. [x] 142 pp. B&w figures. Includes endnotes and index. Light dust spotting on top and fore-edge. Spine not creased. Book. N° de réf. du vendeur ED003
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Vendeur : BennettBooksLtd, Los Angeles, CA, Etats-Unis
paperback. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-0520069927
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