Horace's Odes have a surface translucency that belies their rhetorical sophistication. Gregson Davis brings together recent trends in the study of Augustan poetry and critical theory and deftly applies them to individual poems. Exploring four rhetorical strategies-what he calls modes of assimilation, authentication, consolation, and praise and dispraise-Davis produces enlightening, new interpretations of this classic work.
Polyhymnia, named after one of the Muses invoked in Horace's opening poem, revises the common image of Horace as a complacent, uncomplicated, and basically superficial singer. Focusing on the artistic persona-the lyric "self" that is constituted in the text-Davis explores how the lyric speaker constructs subtle "arguments" whose building-blocks are topoi, recurrent motifs, and generic conventions. By examining the substructure of lyric argument in groupings of poems sharing similar strategies, the author discloses the major principles that inform Horatian lyric composition.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Gregson Davis is Professor of Classics and Comparative Literature at Cornell University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : HPB-Diamond, Dallas, TX, Etats-Unis
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_437004040
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Vendeur : Ancient World Books, Toronto, ON, Canada
Hardcover. Etat : Very Good+. Etat de la jaquette : Very Good. Very Minor shelfwear to book. Scholar's name to ffep (Robert Brown). DJ has minor edgewear with light creasing. Spine a bit sunned.; Horace's Odes have a surface translucency that belies their rhetorical sophistication. Gregson Davis brings together recent trends in the study of Augustan poetry and critical theory and deftly applies them to individual poems. Exploring four rhetorical strategies--what he calls modes of assimilation, authentication, consolation, and praise and dispraise--Davis produces enlightening, new interpretations of this classic work. Polyhymnia, named after one of the Muses invoked in Horace's opening poem, revises the common image of Horace as a complacent, uncomplicated, and basically superficial singer. Focusing on the artistic persona--the lyric "self" that is constituted in the text--Davis explores how the lyric speaker constructs subtle "arguments" whose building-blocks are topoi, recurrent motifs, and generic conventions. By examining the substructure of lyric argument in groupings of poems sharing similar strategies, the author discloses the major principles that inform Horatian lyric composition.; 293 pages. N° de réf. du vendeur 19608
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Vendeur : Rosario Beach Rare Books, Lake Stevens, WA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Very Good. 1st Edition. *Veteran-Owned, Family-Run, Small Book Store in the Pacific Northwest* FAST SHIPPING!! N° de réf. du vendeur ABE-1739148886284
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Vendeur : Hiding Place Books, Philadelphia, PA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. N° de réf. du vendeur ABE-1774356003920
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Vendeur : MW Books, New York, NY, Etats-Unis
1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 282 pp. Subjects; Horace Criticism and interpretation. Studies. Odes. Laudatory poetry, Latin History and criticism. Rhetoric, Ancient. Carmina. 3 Kg. N° de réf. du vendeur 419961
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Vendeur : MW Books Ltd., Galway, Irlande
1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 282 pp. Subjects; Horace Criticism and interpretation. Studies. Odes. Laudatory poetry, Latin History and criticism. Rhetoric, Ancient. Carmina. 1 Kg. N° de réf. du vendeur 419961
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 692243
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 692243-n
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Hardback. Etat : New. Horace's Odes have a surface translucency that belies their rhetorical sophistication. Gregson Davis brings together recent trends in the study of Augustan poetry and critical theory and deftly applies them to individual poems. Exploring four rhetorical strategies--what he calls modes of assimilation, authentication, consolation, and praise and dispraise--Davis produces enlightening, new interpretations of this classic work. Polyhymnia, named after one of the Muses invoked in Horace's opening poem, revises the common image of Horace as a complacent, uncomplicated, and basically superficial singer. Focusing on the artistic persona--the lyric "self" that is constituted in the text--Davis explores how the lyric speaker constructs subtle "arguments" whose building-blocks are topoi, recurrent motifs, and generic conventions. By examining the substructure of lyric argument in groupings of poems sharing similar strategies, the author discloses the major principles that inform Horatian lyric composition. N° de réf. du vendeur LU-9780520070776
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In. N° de réf. du vendeur ria9780520070776_new
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