To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating cinematic apparatus is unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing that are truer to actual human vision. Beginning with the propositions that the images of cinema and vision derive from the same basic elements - light, movement and time - Wees argues that cinematic apparatus and human visual apparatus have significant properties in common. For that reason they can be brought into a dynamic, creative relationship which the author calls the dialectic of eye and camera. The consequences of this relationship are what the author explores.
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William C. Wees is Associate Professor of English at McGill University in Montreal. He has written articles for many film journals and has made several short experimental films.
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Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:0520073681. N° de réf. du vendeur 4941391
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paperback. Etat : Good. Softcover;Some slight discoloration on the front pages at the edge and upper corner through page 10, most likely a water stain, but there is not obvious warping of pages; after that it is clean and unmarked, binding is solid. N° de réf. du vendeur bb040717a
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