Jacob Burckhardt claimed that the state in Renaissance Italy became "a work of art". In this book, the authors illiminate the corollary: that art in Italy became a work of state. They study centres of power under three distinctive governments - a civic republic of the 14th century, a princely court of the 15th, and an absolutist state of the 16th. The authors argue that, no less than armies, laws and taxes, painted halls of state were strategic instruments, tactical weapons and technical machines of government. The three rooms examined here are Ambrogio Lorenzetti's Sala dei Nove in Siena (1338-40), Andrea Mantegna's Camera Picta in Mantua (1465-74), and Giorgio Vasari's Sala Grande in Florence (1563-71), where the wedding procession of Giovanna of Austria and Francesco de'Medici culminated in 1565. The authors investigate the rooms as monuments of public art transformed by fundamental changes in political regimes, artistic practices and cultural values. They posit that far from merely reflecting political messages, the art both constructed and contested ideology. It follows that instead of looking through art objects for the realities allegedly underlying them, the authors see the signs encoded in art as a kind of reality. The authors go beyond secure frontiers of history and art to a field of inquiry that locates the material of investigation in a shifting calculus of relations between images, texts and circumstances. They understand art as a form of power while charting the operations of power in the forms of art.
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Vendeur : Lokalio UG, Oldenburg, Allemagne
Hardcover. Etat : Wie neu. 1. Auflage. Der Zustand des Buches ist ausgezeichnet. Es ist unbenutzt. N° de réf. du vendeur K7-5
Quantité disponible : 1 disponible(s)
Vendeur : Moe's Books, Berkeley, CA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. First printing. Inscribed by Randolph Starn on the front flyleaf. N° de réf. du vendeur 108130
Quantité disponible : 1 disponible(s)
Vendeur : Warwick Books, member IOBA, South Pasadena, CA, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : Fine. First Edition. Hardcover in dust jacket. First edition. Book is As New, with a very few margin notations. Otherwise crisp, clean, tightly bound. Former owner's name inked onto front free page. Illustrated with color and black-and-white plates. Small 4to. 374 pp. including index and other back matter. Heavy for international shipping. N° de réf. du vendeur 96636
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Vendeur : Salish Sea Books, Bellingham, WA, Etats-Unis
Etat : Good. Good; Hardcover, Missing Jacket; Withdrawn library copy with the standard library markings; Clean covers with minor edgewear; Library stamps to the endpapers; Text pages are clean & unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium-Large Format (Quatro, 9.75" - 10.75" tall); Red cloth covers with title in gold lettering along spine; 1992, University of California Press; 374 pages; "Arts of Power: Three Halls of State in Italy, 1300-1600 (The New Historicism: Studies in Cultural Poetics)," by Randolph Starn & Loren Partridge. N° de réf. du vendeur SKU-043AA05108271
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Vendeur : Midway Book Store (ABAA), St. Paul, MN, Etats-Unis
Hardcover. Etat : fine/fine. First edition. Small quarto. (10": x 7") 374pp. A fine copy in dust jacket. N° de réf. du vendeur 61942
Quantité disponible : 1 disponible(s)