Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism "en place". Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to 19th-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant pieces. The author examines the display of Islamic cultures at 19th-century world's fairs, focusing on the exposition architecture. She asserts that certain socio-political and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerner's responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centres. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. The author's delineation of this hierarchy in the exposition building enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the 19th century.
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Zeynep Çelik is Associate Professor of Architecture at the New Jersey Institute of Technology and the author of The Remaking of Istanbul (Washington, 1986).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : PAPER CAVALIER UK, London, Royaume-Uni
Etat : good. A good reading copy. May contain markings or be a withdrawn library copy. N° de réf. du vendeur 9780520074941-4
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Vendeur : Zed Books, New York, NY, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. First printing. 8vo. 245 pp. Gray cloth. Fine in Near Fine dust jacket. Slightest wrinkling to top edge of jacket's rear panel. N° de réf. du vendeur x05961
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Vendeur : gearbooks, The Bronx, NY, Etats-Unis
Hardcover. Etat : Like New. Etat de la jaquette : Like New. Steve Renick (Jacket Design) (illustrateur). © 1992 by The Regents of the University. 245 + xv + pp. An excellent, spotlessly clean copy and dust jacket! Clean, fresh, sharp, tight, essentially and virtually flawless copy and dust jacket with crisp pages, spotlessly clean text, and very light shelf wear. Relevant newspaper articles and material placed by previous owner included. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments. N° de réf. du vendeur 5iCa0138
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Vendeur : Zephyr Used & Rare Books, Vancouver, WA, Etats-Unis
Tall 8vo. xv, [1], 245, [3] pp. With 128 photos, text illustrations, architectural diagrams. Beige-coloured publisher's cloth, black lettering, w/ d.j. F/F copy, w/ MS post-it note to Tom Atiyeh explaining "very illuminating about Ottoman Empire's attempts to hold on thru modernization & public relations. Altho Atiyeh Bros. is not mentioned, it is relevant and possible to insert their story on many of these pages." First edition, 1st printing, of this surprisingly uncommon work detailing the impact of Islamic architecture, culture, and peoples imported to European and American World's Fairs where they were exhibited as artifacts. The architectural design trends not only impacted and reflected on Western audiences visiting the Fairs, but also initiated Egyptian Revival, Arab & Moorish Revival, and classic Middle Eastern designs across the Middle East, including Cairo, Beirut, Istanbul, Bagdad, Tehran, and more. N° de réf. du vendeur 63978
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