In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory.
Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums. She follows the new study of natural history as it moved out of the universities and into sixteenth- and seventeenth-century scientific societies, religious orders, and princely courts. Findlen argues convincingly that natural history as a discipline blurred the border between the ancients and the moderns, between collecting in order to recover ancient wisdom and the development of new textual and experimental scholarship. Her vivid account reveals how the scientific revolution grew from the constant mediation between the old forms of knowledge and the new.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Paula Findlen is Professor of History and Director of the Science, Technology and Society Program at Stanford University
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Reprint. In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory. Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums. She follows the new study of natural history as it moved out of the universities and into sixteenth- and seventeenth-century scientific societies, religious orders, and princely courts. Findlen argues convincingly that natural history as a discipline blurred the border between the ancients and the moderns, between collecting in order to recover ancient wisdom and the development of new textual and experimental scholarship. Her vivid account reveals how the scientific revolution grew from the constant mediation between the old forms of knowledge and the new. N° de réf. du vendeur LU-9780520205086
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Drawing on archives of visitors' books, letters, and pleas for patronage, this title reconstructs the lost social world of Renaissance and Baroque museums. Series: Studies on the History of Society & Culture. Num Pages: 449 pages, 30 b&w reproductions, 1 map, 6 museum floor plans, 2 tables. BIC Classification: 1DST; GM; HBJD; HBLH; HBTB; P; WN. Category: (P) Professional & Vocational. Dimension: 226 x 150 x 29. Weight in Grams: 640. . 1996. Paperback. . . . . N° de réf. du vendeur V9780520205086
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