First published in 1899, Arthur Wesley Dow's Composition has probably influenced more Americans than any other text to think of visual form and composition in relation to artistic modernity. While Dow is known as the mentor of Georgia O'Keeffe and Max Weber, his legacy as a proponent of modern art has suffered undeserved neglect by recent artists and art historians.
In Composition Dow develops a system for teaching students to create freely constructed images on the basis of harmonic relations between lines, colors, and dark and light patterns. Greatly influenced by Japanese art, he expounds a theory of "flat" formal equilibrium as an essential component of telling pictorial creation. Generations of teachers and their public school pupils learned from Dow's orientalism and adopted basic postimpressionist principles without even knowing the term. The reappearance of Dow's practical, well-illustrated guide, enhanced by Joseph Masheck's discussion of its historical ramifications, is an important event for all concerned with the visual arts and the intellectual antecedents of American modernism.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Arthur Wesley Dow (1857-1922) was a painter, printmaker, and writer. He chaired the Department of Fine Arts at Teachers College of Columbia University from 1904 until his death. Joseph Masheck is a well-known art critic and Professor of Art History at Hofstra University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Trade Paperback. Etat : Used - Very Good. In Composition Dow develops a system for teaching students to create freely constructed images on the basis of harmonic relations between lines, colors, and dark and light patterns. Greatly influenced by Japanese art, he expounds a theory of 'flat' formal equilibrium as an essential component of telling pictorial creation. Generations of teachers and their pupils in the public schools learned from Dow's orientalism and adopted basic post-impressionist principles without even knowing the term. The reappearance of Dow's practical, well-illustrated guide to artistic composition, enhanced by Joseph Masheck's discussion of its historical ramifications, is an important event for all concerned with the visual arts and the intellectual antecedents of American modernism. Arthur Wesley Dow (1857-1922) was a painter, printmaker, and writer, much influenced by Japanese art. Although known as mentor to Georgia O'Keeffe and Max Weber, Dow's legacy as a proponent of modern art has been neglected. His COMPOSITION, first published in 1899, teaches students to create freely constructed images on the basis of harmonic relations between lines, colors, and dark and light patterns. 8 color and 150 b&w illustrations. Very nice clean, tight copy free of any marks. N° de réf. du vendeur 327637
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Etat : New. Develops a system for teaching students to create freely constructed images on the basis of harmonic relations between lines, colors, and dark and light patterns. Greatly influenced by Japanese art, the author expounds a theory of "flat" formal equilibrium as an essential component of telling pictorial creation. Num Pages: 160 pages, 160. BIC Classification: ABA; AFC; WFA. Category: (G) General (US: Trade). Dimension: 286 x 229 x 12. Weight in Grams: 508. . 1998. Illustrated. paperback. . . . . N° de réf. du vendeur V9780520207493
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Paperback. Etat : New. First published in 1899, Arthur Wesley Dow's "Composition" has probably influenced more Americans than any other text to think of visual form and composition in relation to artistic modernity. While Dow is known as the mentor of Georgia O'Keeffe and Max Weber, his legacy as a proponent of modern art has suffered undeserved neglect by recent artists and art historians. In "Composition" Dow develops a system for teaching students to create freely constructed images on the basis of harmonic relations between lines, colors, and dark and light patterns. Greatly influenced by Japanese art, he expounds a theory of "flat" formal equilibrium as an essential component of telling pictorial creation. Generations of teachers and their public school pupils learned from Dow's orientalism and adopted basic postimpressionist principles without even knowing the term. The reappearance of Dow's practical, well-illustrated guide, enhanced by Joseph Masheck's discussion of its historical ramifications, is an important event for all concerned with the visual arts and the intellectual antecedents of American modernism. N° de réf. du vendeur LU-9780520207493
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