Note. The author gratefully acknowledges the courtesy of those named below in according him permission to use photographs of certain paintings and objects of art as illustrations for this book. Museum of Fine A rts, Boston Metropolitan Museum, New York The National Gallery, London Musee de Cluny. Paris (J. Lcroy. photographer) Musee de Sculpture Comparec, Paris Dr. William Sturgis Bigelow, Boston (permission to photograph Japanese paintings) Mr. Frederick W. Gookin (use of photographs from Kcnzan and Kano Gyokuraku, made specially for Mr. Gookin, Boston M. F. A. Giacomo Brogi, Florence Fratelll A linari, Florence D. A nderson, Rome W. A. Mansell AC o., London P. Rothier, Reims, France, and Kaltenbacher, A miens, France (the Ruskln photographer) License to use photographs was also obtained from the Autotype Fine Art Company, Limited, London (the Michelangelo drawing, page Ml. and from Baldwin Coolidge, Boston.
(Typographical errors above are due to OCR software and don't occur in the book.)
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Arthur Wesley Dow was an American painter, printmaker, photographer, and influential arts educator. He taught many of America's leading artists and craftspeople, including Georgia O'Keeffe, two of the Overbeck Sisters and the Byrdcliffe Colony. Dow was largely inspired by Japanese art to this work on Compositionn.
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