In this collection of interconnected essays, Arthur C. Danto argues that Andy Warhol's Brillo Box of 1964 brought the established trajectory of Westen art to an end and gave rise to a pluralism which has changed the way art is made, perceived, and exhibited. Wonderfully illuminating and highly provocative, his essays explore how conceptions of art-and resulting historical narratives-differ according to culture. They also grapple with the most challenging issues in art today, including censorship and state support of artists.
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Arthur C. Danto is Johnsonian Professor Emeritus of Philosophy at Columbia University and art critic for The Nation. Among his books are Playing with the Edge: The Photographic Achievement of Robert Mapplethorpe and Encounters and Reflections: Art in the Historical Present, both published by University of California Press. He was the winner of the 1990 National Book Critics Circle Award for criticism.
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