W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the "exotic" in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of "total theater."
Drawing on an extraordinarily diverse-and in some instances, little-known-range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance-such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig--also play a significant role in this study.
Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship. For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? Revealing Masks shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
W. Anthony Sheppard is Assistant Professor of Music at Williams College.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : BooksRun, Philadelphia, PA, Etats-Unis
Hardcover. Etat : Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. N° de réf. du vendeur 0520223020-11-1
Quantité disponible : 1 disponible(s)
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized. N° de réf. du vendeur M0520223020Z2
Quantité disponible : 15 disponible(s)
Vendeur : The Enigmatic Reader, Los Angeles, CA, Etats-Unis
Hardcover. Etat : Very Good. No Jacket. 1st Edition. Ex-library. N° de réf. du vendeur 039380
Quantité disponible : 1 disponible(s)
Vendeur : Books Do Furnish A Room, Durham, NC, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Pages unmarked. Dust jacket glossy. Binding square & firm. Book. N° de réf. du vendeur 118985
Quantité disponible : 1 disponible(s)
Vendeur : TotalitarianMedia, Los Angeles, CA, Etats-Unis
Hardcover. Etat : Fine. Dust Jacket Included. 1st Edition. Revealing Masks : Exotic Influences and Ritualized Performance in Modernist Music Theater. Sheppard, W. Anthony. University of California Press, 2001. 350p. hardcover with dust jacket, dust jacket lightly bumped/scuffed, boards clean/square, binding tight, text clean/unmarked, NOT xlib ISBN 10: 0520223020 / ISBN 13: 978052022302816.00. N° de réf. du vendeur ABE-1756404417618
Quantité disponible : 1 disponible(s)
Vendeur : Old Book Shop of Bordentown (ABAA, ILAB), Bordentown, NJ, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : fine. First edition. Fine, fresh copy in fine, crisp dust jacket. First printing. Hardcover. xv+350 pp. with bibliography, index. Illustrations. A consideration of a wide-ranging constellation of important musical works of ritualized performance in 20th century music. The author is especially interested in the use of the "exotic" in techniques of masking and stylization , identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of modern "total theater". The work draws on an extraordinarily diverse---and in some instances little known---range fo music and theater pieces, citing the works of Stravinsky, Britten, Hogegger, Davies, Bernstein, Lloyd Weber, and Madonna; also cited are artists in literature, dance, and theater such as Yeats, Claudel, Brecht, Isadora Duncan, Ida Rubinstein, and Edward Gordon Craig. N° de réf. du vendeur E33417
Quantité disponible : 1 disponible(s)
Vendeur : GoldBooks, Denver, CO, Etats-Unis
Hardcover. Etat : new. New Copy. Customer Service Guaranteed. N° de réf. du vendeur 99E92_35_0520223020
Quantité disponible : 1 disponible(s)
Vendeur : Between The Boards, Connahs Quay, Royaume-Uni
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. Near Fine in near fine D/W first edition no inscriptions not price clipped. N° de réf. du vendeur Scs1428
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 435052-n
Quantité disponible : 1 disponible(s)
Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Hardback. Etat : New. W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. "Revealing Masks" uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the 'exotic' in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of 'total theater.' Drawing on an extraordinarily diverse - and in some instances, little-known - range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance - such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig - also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship.For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? "Revealing Masks" shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance. N° de réf. du vendeur LU-9780520223028
Quantité disponible : Plus de 20 disponibles