In the age of the French Revolution, opera was the locus of cabals, intrigues, and violent journalistic invective. Yet it was also a period when women composers and librettists gained access to concert halls as never before, some of their works among those most performed in Paris. Jacqueline Letzter and Robert Adelson's engaging history explains what made this possible. At the same time it demonstrates how the Revolution fostered many dreams and ambitions for women that would be doomed to disappointment in the repressive post-Revolutionary era.
The first part of the book concentrates on the women who succeeded in bringing their operas to the stage. The authors examine their backgrounds, the institutional barriers they had to surmount, and the problems they faced in asserting their authority and authorship. The book's second half is a detailed case study of Isabelle de Charrière (1740-1805), a prolific author and composer who witnessed the success of her female colleagues but was unable to gain recognition for herself. In an analytical epilogue Letzter and Adelson discuss the status of creative women in Revolutionary culture and society.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jacqueline Letzter is Assistant Professor of French at the University of Maryland, College Park. Robert Adelson is Assistant Professor of Clarinet at Towson University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Hardcover. Etat : Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0520226534I4N01
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Vendeur : Any Amount of Books, London, Royaume-Uni
8vo. pp: xvii, 341. Original publisher's black boards with gilt lettering at spine in original publisher's colour illustrated dust jacket. Some illustrations in black and white. ISBN: 0520226534 Dust jacket shows signs of shelfwear. Front flap warped. Otherweise tight and clean copy. Very good indeed in good dust jacket. N° de réf. du vendeur C68629
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Vendeur : Andover Books and Antiquities, Andover, MA, Etats-Unis
Hardcover. Etat de la jaquette : Very good. xvii, 341 pp. Studies on the History of Society and Culture. Volume 43. LCC: 48891 Very good condition; touches of wear on edges of covers. N° de réf. du vendeur 0408I0373
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Vendeur : Burwood Books, Wickham Market, Royaume-Uni
Hardcover. Etat : Very Good. First Edition. Hardback. Dust Jacket. 8vo. pp xvii, 341. Original publishers black cloth, lettered gilt at the spine. Studies on the history of society and culture, 43. ISBN: 0520226534 Fine in near fine dust jacket, with very slight sunning at spine. Excellent condition. No inscriptions, not price-clipped. N° de réf. du vendeur C93802
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 1st edition. 385 pages. 9.50x6.50x1.25 inches. In Stock. N° de réf. du vendeur x-0520226534
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Vendeur : moluna, Greven, Allemagne
Etat : New. This study explains how women composers and librettists gained access to concert halls in the age of the French Revolution. At the same time it aims to demonstrate how the Revolution fostered many dreams and ambitions for women that would be doomed to disap. N° de réf. du vendeur 594721534
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. Neuware - A fascinating look at the short-lived surge in France of women's participation in opera, the most public arena of culture in the 18th century. N° de réf. du vendeur 9780520226531
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