Rarely is an artist so closely associated with a single work as is Jay DeFeo with her monumental painting The Rose. Begun in the late 1950s, when DeFeo, a central figure of the Beat generation of San Francisco, was just starting to garner widespread national recognition, the visionary work occupied the artist for eight years. Massive in scale, layered with nearly two thousand pounds of paint, the overpowering painting was already famous before its first exhibition in 1969 at the Pasadena Art Museum. It was next exhibited in San Francisco, then stored at the San Francisco Art Institute, where it languished for twenty-five years before a historic conservation restored it to public view. The Rose now resides in the collection of the Whitney Museum of American Art.
This volume is the first major study of The Rose in particular and of Jay DeFeo in general. In the collection, eleven distinguished art and cultural historians--Bill Berkson, Niccolo Caldararo, Richard Cándida Smith, Walter Hopps, Lucy R. Lippard, Greil Marcus, Sandra S. Phillips, Marla Prather, Carter Ratcliff, David A. Ross, and Martha Sherrill--unfold the story of the creation, as well as the tricky and painstaking rescue, of DeFeo's radiant masterpiece. While providing new material on The Rose and exposing many myths surrounding both the artist and her great work, these essays also place Jay DeFeo in relation to artists of her time, including Jasper Johns, Robert Rauschenberg, Lee Bontecou, and Eva Hesse. The book, which adds significantly to the scholarship of postwar American art, includes nearly eighty halftones, thirteen color plates, and Judith Dunham's detailed Rose-related chronology.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jane Green is an art historian and has worked on exhibitions at Mills College Art Museum and the Berkeley Art Museum, two institutions associated with DeFeo. Leah Levy is an independent curator and trustee of the Estate of Jay DeFeo. She worked directly with DeFeo as curatorial consultant from 1985 until the artist's death in 1989, and organized the conservation of The Rose. She is author of Kathryn Gustafson: Sculpting the Land (1998) and guest curator of Revelatory Landscapes (2001) at the San Francisco Museum of Modern Art.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. The book has light edge wear, some faint foxing on the covers, and light fading. Otherwise, it is tightly-bound, sharp, and unmarked. The dust jacket has light edge wear, slight rubbing, and faint overall fading. Otherwise, it is sharp, clean, and adorned with mylar. N° de réf. du vendeur 1004714
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Green, Jane and Leah Levy (editors). JAY DEFEO and The Rose. Foreword by Marla Prather, text by a variety of contributors; xxii and 196 pp., 13 color plates, and roughly 75 b&w figures. 4to, cloth. Berkeley, Los Angeles, london, University of California Press, in association withNew York, The Whitney Museum of American Art, 2003. N° de réf. du vendeur 108048
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Vendeur : Marcus Campbell Art Books, London, Royaume-Uni
Hardback. Etat : Very good. 21 x 26cm 190pp very good hardback in dust jacket. A book devoted to Jay DeFeo's most famous work, the monumental, The Rose. The work began in the late 1950s, when DeFeo, a central figure of the Beat generation of San Francisco, was just starting to garner widespread national recognition, the visionary work occupied the artist for eitght yeas. Colour plus black and white reproductions throughout. N° de réf. du vendeur 32184
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Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. New York: The Whitney Museum of American Art / University of California Press, 2003. First edition. First printing. Full black cloth, gilt spine lettering. Fine in a fine dust jacket. Comes with archival-quality mylar dust jacket protector. Quarto, 192 pages, with 93 illustrations, including 13 color plates. "Jay DeFeo and The Rose" is the first comprehensive study of DeFeo's monumental painting "The Rose," a nearly two-thousand-pound work created over eight years and long considered a masterpiece of the San Francisco Beat scene. The volume documents the painting's creation, its decades in storage, and its painstaking conservation before its installation at the Whitney Museum. Editors: Jane Green, Leah Levy. Essays by David A. Ross, Martha Sherrill, Walter Hopps, Bill Berkson, Lucy R. Lippard, Sandra S. Phillips, Greil Marcus, Niccolo Caldararo, Richard Cándida Smith, Carter Ratcliff, and Judith Dunham. Jay DeFeo (19291989) was a San Francisco painter, sculptor, and central figure in the Beat generation art movement. Known primarily for "The Rose," she also produced a wide-ranging body of experimental paintings, drawings, and photographs. "Jay DeFeo and The Rose" remains the definitive monograph on both her life and her most famous work. N° de réf. du vendeur Annex-University-Press-Quarto
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