In this encounter between reflections on Christian theology and the history of art and music, James D. Herbert considers how specific works of art establish a relation between the divine and the earthbound audiences for whom the art was created. He looks at five case studies over four centuries: the architecture and artworks that glorified Louis XIV at Versailles, the interaction of libretto and music in Richard Wagner's Ring of the Nibelung, Claude Monet's enormous paintings of water lilies mounted at the Orangerie of Paris in 1927, the inaugural performance in 1962 of Benjamin Britten's War Requiem at the new Anglican cathedral in Coventry, and Robert Wilson's recent installation based on the Passion, 14 Stations.
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James D. Herbert is Professor of Art History and Visual Studies at the University of California, Irvine. He is the author of Paris 1937: Worlds on Exhibition (1998) and Fauve Painting: The Making of Cultural Politics (1992).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : Near Fine. Etat de la jaquette : Fine. 1st. Cloth, xii, 198 pages, [20] pages of plates, illustrations, maps; 27 cm. PRESENTATION COPY. Signed and warmly inscribed by the author. Fine DJ. *** "In this encounter between reflections on Christian theology and the history of art and music, James D. Herbert considers how specific works of art establish a relation between the divine and the earthbound audiences for whom the art was created. He looks at five case studies over four centuries: the architecture and artworks that glorified Louis XIV at Versailles, the interaction of libretto and music in Richard Wagner's Ring of the Nibelung, Claude Monet's enormous paintings of water lilies mounted at the Orangerie of Paris in 1927, the inaugural performance in 1962 of Benjamin Britten's War." - Publisher. *** CONTENTS: Louis XIV's Versailles; Wagner's Ring of the Nibelung; Monet's Orangerie; Spence's Cathedral & Britten's War requiem; Wilson's 14 stations. Size: 4to. SIGNED. Collectible. N° de réf. du vendeur 119322
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hardcover. Etat : fine. Etat de la jaquette : near fine. First. Illustrated in color and in black and white. xii, 198 pages. Small 4to, black cloth with gold spine lettering, d.w. Berkeley: University of California Press, (2008). Fine in a near fine dust wrapper. N° de réf. du vendeur 319061
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Hardbound. Black cloth with gold lettering on spine; grey dj with color photograph and white lettering; 198 pp. with numerous bw and color images, numbered by section. In this provacative encounter between reflections on Christian theology and the history of music and art, James D. Herbert explores how specific works of art establish a relation, at times distant, at times proximate, in conflict or in accord, between the divine and the earthbound audiences for whom the art was created. VG/VG- with very slight shelf wear to dj, but no edge wear. N° de réf. du vendeur 112493
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