What determines the overall organization of visual form in the works of painting, sculpture, and architecture? Artists have sometimes ventured practical rules of thumb, and mathematicians have looked for formulas that would prescribe ideal spatial relations between shapes. This companion to Rudolf Arnheim's classic, Art and Visual Perception, shows how compositional form makes sense only when it utilizes visual symbols of the life experience that makes art meaningful.
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Rudolf Arnheim (1904--2007) was Professor Emeritus of the Psychology of Art at Harvard University and Emeritus Professor of Psychology at Sarah Lawrence College. He was author of many books, including Art and Visual Perception, Film as Art, and Visual Thinking.
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Etat : New. 2009. 3rd Revised edition. Paperback. Using many examples, this title considers the factors that determine the overall organization of visual form in works of painting, sculpture, and architecture. Num Pages: 250 pages, 95 b/w photographs, 62 line illustrations. BIC Classification: ABA. Category: (P) Professional & Vocational; (UF) Further/Higher Education. Dimension: 228 x 153 x 16. Weight in Grams: 364. A Study of Composition in the Visual Arts. 250 pages, Illustrations. Using many examples, this title considers the factors that determine the overall organization of visual form in works of painting, sculpture, and architecture. Cateogry: (P) Professional & Vocational; (UF) Further/Higher Education. BIC Classification: ABA. Dimension: 228 x 153 x 16. Weight: 368. . . . . . N° de réf. du vendeur V9780520261266
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Paperback. Etat : New. Rudolf Arnheim has been known, since the publication of his groundbreaking "Art and Visual Perception" in 1974, as an authority on the psychological interpretation of the visual arts. Two anniversary volumes celebrate the landmark anniversaries of his works in 2009. In "The Power of the Center", Arnheim uses a wealth of examples to consider the factors that determine the overall organization of visual form in works of painting, sculpture, and architecture. "The Dynamics of Architectural Form" explores the unexpected perceptual consequences of architecture with Arnheim's customary clarity and precision. N° de réf. du vendeur LU-9780520261266
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Paperback. Etat : New. Rudolf Arnheim has been known, since the publication of his groundbreaking "Art and Visual Perception" in 1974, as an authority on the psychological interpretation of the visual arts. Two anniversary volumes celebrate the landmark anniversaries of his works in 2009. In "The Power of the Center", Arnheim uses a wealth of examples to consider the factors that determine the overall organization of visual form in works of painting, sculpture, and architecture. "The Dynamics of Architectural Form" explores the unexpected perceptual consequences of architecture with Arnheim's customary clarity and precision. N° de réf. du vendeur LU-9780520261266
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Etat : New. 2009. 3rd Revised edition. Paperback. Using many examples, this title considers the factors that determine the overall organization of visual form in works of painting, sculpture, and architecture. Num Pages: 250 pages, 95 b/w photographs, 62 line illustrations. BIC Classification: ABA. Category: (P) Professional & Vocational; (UF) Further/Higher Education. Dimension: 228 x 153 x 16. Weight in Grams: 364. A Study of Composition in the Visual Arts. 250 pages, Illustrations. Using many examples, this title considers the factors that determine the overall organization of visual form in works of painting, sculpture, and architecture. Cateogry: (P) Professional & Vocational; (UF) Further/Higher Education. BIC Classification: ABA. Dimension: 228 x 153 x 16. Weight: 368. . . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780520261266
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