Focusing on the thirty-three paintings that Philip Guston exhibited at the Marlborough Gallery in 1970, this in-depth account reconsiders the history of postwar American art and the conception of figuration in modern art history. Through a myriad of cultural touchstones, including evidence from literary and musical vogues of the period, Robert Slifkin examines the role of history as both artistic medium and creative catalyst to Guston's practice as a painter. Slifkin employs a wealth of visual examples, archival materials, and original scholarship to situate Guston's paintings within broader artistic debates of the time, using the cultural movement of "the sixties" as its orienting foreground. This historical framework provides an interface between the notions of time in art and time in the material world. Lively and edifying, Slifkin's comprehensive text productively complicates the prescribed traditions of postwar art history and, in turn, shifts our perception of Guston and his place in the domain of modern art.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Robert Slifkin is Assistant Professor of Fine Arts at The Institute of Fine Arts, New York University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : VG+. Close to new. Quarto. Hardcover. Black paper boards in matte illustrated jacket. xv, 246 pages, 24 unnumbered pages of plates : illustrations (some color) ; 27 cm. "Focusing on the thirty-three paintings Philip Guston exhibited at the Marborough Gallery in 1970, this in-depth account reconsiders the history of postwar American art and the conception of figuration in modern art history. Through a myriad of cultural touchstones, including evidence from literary and musical vogues of the period, this book examines the role of history as both artistic medium and creative catalyst to Guston's practice as a painter. Employing a wealth of visual examples, archival materials, and original scholarship, Robert Slifkin situates Guston's paintings within broader artistic debates of the time, using the cultural movement of "the sixties" as its orienting foreground. Through this historical framework, he crafts an interface between the notions of time in art and time in the material world. Lively and edifying, this comprehensive text productively complicates the prescribed traditions of postwar art history and, in turn, shifts our perception of Guston and his place in the domain of modern art"--. N° de réf. du vendeur 207285
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Focusing on the thirty-three paintings Philip Guston exhibited at the Marborough Gallery in 1970, this title reconsiders the history of postwar American art and the conception of figuration in modern art history. Series: The Phillips Book Prize Series. Num Pages: 264 pages, 24 color illustrations, 79 b/w photographs. BIC Classification: ACX; AFC; AGB. Category: (P) Professional & Vocational. Dimension: 263 x 176 x 21. Weight in Grams: 890. . 2013. Hardcover. . . . . N° de réf. du vendeur V9780520275294
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. Focusing on the thirty-three paintings that Philip Guston exhibited at the Marlborough Gallery in 1970, this in-depth account reconsiders the history of postwar American art and the conception of figuration in modern art history. Through a myriad of cultural touchstones, including evidence from literary and musical vogues of the period, Robert Slifkin examines the role of history as both artistic medium and creative catalyst to Guston's practice as a painter. Slifkin employs a wealth of visual examples, archival materials, and original scholarship to situate Guston's paintings within broader artistic debates of the time, using the cultural movement of "the sixties" as its orienting foreground. This historical framework provides an interface between the notions of time in art and time in the material world. Lively and edifying, Slifkin's comprehensive text productively complicates the prescribed traditions of postwar art history and, in turn, shifts our perception of Guston and his place in the domain of modern art. N° de réf. du vendeur LU-9780520275294
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