"...the best extant map of our sonic shadowlands, and it has changed how I listen."--Alex Ross, The New Yorker
"...an essential survey of contemporary music."--New York Times
"...sharp, provacative and always on the money. The listening list alone promises months of fresh discovery, the main text a fresh new way of navigating the world of sound."--The Wire
2017 Music Book of the Year--Alex Ross, The New Yorker
Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post-Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall.
Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Tim Rutherford-Johnson is a London-based music journalist and critic. He was the contemporary music editor at Grove Music Online and edited the most recent edition of the Oxford Dictionary of Music. He has taught at Goldsmiths College and Brunel University, and since 2003 he has written about new music for his blog, The Rambler.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Hammer Mountain Book Halls, ABAA, Schenectady, NY, Etats-Unis
Hardcover. Very good condition (no dust jacket). ]. 348p. Illus. N° de réf. du vendeur 54624
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
HRD. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L1-9780520283145
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L1-9780520283145
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In. N° de réf. du vendeur ria9780520283145_new
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Vendeur : ModernRare, CHICAGO, IL, Etats-Unis
Hardcover. Etat : As New. 1st Edition. 1st Printing. 348 pages. Published in 2017. Book-length account on subject. One of the most important and valuable books on the music of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, particularly the Print-On-Demand and Softcover Editions. Published in a small and limited print run as a hardcover original only by a University Press. The stock photo shown by Amazon is that of the Softcover Edition. The Hardcover Edition was issued without a DJ. Presents Tim Rutherford-Johnson's "After The Fall: Modern Composition And Culture Since 1989". A breezy, articulate, and compelling overview of the state of the art. Which art is constantly evolving, changing, and developing as one reads and listens and collects as best as one can. So it's good to have, for the thrilling adventure, a reliable guide that cannot possibly be definitive. "Probably the most authoritative international chronicler of the composed music of our time, and in this book he manages the near-impossible feat of mapping a field that is changing by the day. He is a rigorous thinker yet he avoids dogma and shows unexpected sympathies. What results is an indispensable work of intellectual passion" (Alex Ross). "Studded as it is with insights, Rutherford-Johnson's book is even more remarkable - and valuable - for the perspectives it offers on the period since the climacteric of 1989. Here are some new tools for thinking, re-thinking, and thinking on" (Paul Griffiths). "It's a sign that a book is a conversation changer when that book creates a need for its own existence. A radical re-writing of what we might require from a historical analysis of new music, taking an ecological approach that accounts for race, gender, technologies, and institutional and socio-economic forces. A compelling and exhilarating read" (Liza Lim). An absolute "must-have" title for Tim Rutherford-Johnson and music lover/collectors. This title is a classic text on contemporary music. As far as we know, this is the only copy of the true First Hardcover Edition/First Printing (full number line that includes the Number 1 on the Copyright Page) available online and is in especially fine condition: Clean, crisp, and bright. Please note: ALL other copies available online are Print-On-Demand or the Softcover Edition. A rare copy thus. One of the most brilliant writers on the music of our time. A fine copy. ISBN 0520283147. no. N° de réf. du vendeur 23122
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Vendeur : moluna, Greven, Allemagne
Etat : New. Intends to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post-Cold War era. In this book, the author considers musical composition against this changed backdrop, placing it in the cont. N° de réf. du vendeur 594724120
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 348 pages. 9.50x6.50x1.00 inches. In Stock. N° de réf. du vendeur x-0520283147
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. Neuware. N° de réf. du vendeur 9780520283145
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