Examines early practices of staged photography in visualizing queer forms of relation.
Body Language is the first in-depth study of the extraordinary interplay between George Platt Lynes and PaJaMa (Paul Cadmus, Jared French, and Margaret Hoening French). Nick Mauss and Angela Miller offer timely readings of how their practices of staging, collaboration, and psychological enactment through the body arced across the boundaries of art and life, private and public worlds, anticipating contemporary social media. Using the camera not to capture, but to actively perform, they renounced photography's conventional role as mirror of the real, energizing forms of world-making via a new social framing of the self.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Nick Mauss is an artist whose recent exhibitions include Transmissions at the Whitney Museum and Intricate Others at Museu Serralves.
Angela Miller has published widely on nineteenth- and twentieth-century American arts and culture. She is author of the prize-winning The Empire of the Eye.Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Examining this innovative collaboration as a turning point in the history of photography and in queer American culture. Body Language is the first in-depth study of the extraordinary interplay between photographer George Platt Lynes and PaJaMa (painters Paul Cadmus, Jared French, and Margaret Hoening French). These enigmatic photographsissuing from intimate private networks and queer sexualitieshelped ground friendships and also found their way into the public worlds of fashion and fame. Nick Mauss and Angela Miller offer timely readings of how practices of staging, collaboration, and psychological enactment through the body arced across the boundaries of art and life, private and public worlds, anticipating contemporary social media. For these audacious artists, the camera was used not to capture, but to actively perform. Renouncing photography's conventional role as mirror of the real, Lynes and PaJaMa energized forms of worldmaking via a new social framing of the self. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780520394629
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Paperback. Etat : New. Examines early practices of staged photography in visualizing queer forms of relation. Body Language is the first in-depth study of the extraordinary interplay between George Platt Lynes and PaJaMa (Paul Cadmus, Jared French, and Margaret Hoening French). Nick Mauss and Angela Miller offer timely readings of how their practices of staging, collaboration, and psychological enactment through the body arced across the boundaries of art and life, private and public worlds, anticipating contemporary social media. Using the camera not to capture, but to actively perform, they renounced photography's conventional role as mirror of the real, energizing forms of world-making via a new social framing of the self. N° de réf. du vendeur LU-9780520394629
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