Abstract art in its many forms has been a dominant mode in the visual arts for the better part of a century. Popular histories usually trace "abstraction" as a succession of style or "isms," each set within it particular art-historical context, assuming a general familiarity with this kind of critical narrative. The book addresses itself to the interested non-specialist who frequents galleries and reads art books, but who often feels mystified when confronted by abstract work. Abstract art by its nature demands an imaginative response, a personal constructon of meaning. Mel Gooding offers readings of specific paintings and sculptures--by artists such as Kandinsky, Mondrian, Gabo and Polloc--treating them as exemplary of particular tendencies within the overlapping histories of abstraction. The book defines distinctions between types of abstract art that may seem similar and discoveries underlying correspondences between those that may seem different, enabling the reader to identify links between abstract works across traditional art-historical periods.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Abstract art in its many forms has been a dominant mode in the visual arts for the better part of a century. Popular histories usually trace "abstraction" as a succession of style or "isms," each set within it particular art-historical context, assuming a general familiarity with this kind of critical narrative. The book addresses itself to the interested non-specialist who frequents galleries and reads art books, but who often feels mystified when confronted by abstract work. Abstract art by its nature demands an imaginative response, a personal constructon of meaning. Mel Gooding offers readings of specific paintings and sculptures--by artists such as Kandinsky, Mondrian, Gabo and Polloc--treating them as exemplary of particular tendencies within the overlapping histories of abstraction. The book defines distinctions between types of abstract art that may seem similar and discoveries underlying correspondences between those that may seem different, enabling the reader to identify links between abstract works across traditional art-historical periods.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 6116828-20
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Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0521006317I4N00
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Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0521006317I5N00
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Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0521006317I4N00
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Vendeur : The Maryland Book Bank, Baltimore, MD, Etats-Unis
paperback. Etat : Very Good. Used - Very Good. N° de réf. du vendeur 14-A-5-0183
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Vendeur : -OnTimeBooks-, Phoenix, AZ, Etats-Unis
Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. N° de réf. du vendeur OTV.0521006317.G
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Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Trade Paperback. Etat : Used - Very Good. Abstract art in its many forms has been a dominant mode in the visual arts for the better part of a century. Popular histories usually trace 'abstraction' as a succession of style or 'isms,' each set within it particular art-historical context, assuming a general familiarity with this kind of critical narrative. The book addresses itself to the interested non-specialist who frequents galleries and reads art books, but who often feels mystified when confronted by abstract work. Abstract art by its nature demands an imaginative response, a personal constructon of meaning. Mel Gooding offers readings of specific paintings and sculptures--by artists such as Kandinsky, Mondrian, Gabo and Polloc--treating them as exemplary of particular tendencies within the overlapping histories of abstraction. The book defines distinctions between types of abstract art that may seem similar and discoveries underlying correspondences between those that may seem different, enabling the reader to identify links between abstract works across traditional art-historical periods. N° de réf. du vendeur 94437
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780521006316. N° de réf. du vendeur 4836900
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Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni
paperback. Etat : Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur rev4863503080
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