The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons with other works, that techniques such as allusiveness need be no more forbidding in humanist tragedy than in, say, Racine or Lamartine. She shows how other features, such as characterization, structure, and the use of Choruses, become not only comprehensible but satisfying when the guiding theme or idée maîtresse of a play has been identified and its organizing principles understood. Dr Jondorf argues that these plays should be seen not as pardonably clumsy experiments by the first practitioners of a genre, but as competent works which display skilful deployment of technique in the service of dramatic aims which are, in the broadest sense, didactic. French Renaissance tragedy has too often been treated, even by its defenders, merely as a staging post on the road that leads to Corneille and Racine. This book corrects that perspective.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Antiquariat Thomas Haker GmbH & Co. KG, Berlin, Allemagne
Paperback. Etat : Wie neu. 1st ed. 188 S. Like new. Shrink wrapped. Sprache: Englisch Gewicht in Gramm: 365. N° de réf. du vendeur 828872
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PF. Etat : New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. N° de réf. du vendeur 6666-IUK-9780521025584
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Etat : New. N° de réf. du vendeur I-9780521025584
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. Series Editor(s): Sheringham, Michael. Series: Cambridge Studies in French. Num Pages: 188 pages, 1 b/w illus. BIC Classification: 2ADF; DSBD; DSG. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 216 x 138 x 11. Weight in Grams: 250. . 2008. Revised ed. paperback. . . . . N° de réf. du vendeur V9780521025584
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. Print on Demand pp. 188 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam. N° de réf. du vendeur 7557863
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Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. PRINT ON DEMAND pp. 188. N° de réf. du vendeur 18322866
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. Series Editor(s): Sheringham, Michael. Series: Cambridge Studies in French. Num Pages: 188 pages, 1 b/w illus. BIC Classification: 2ADF; DSBD; DSG. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 216 x 138 x 11. Weight in Grams: 250. . 2008. Revised ed. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780521025584
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Vendeur : CitiRetail, Stevenage, Royaume-Uni
Paperback. Etat : new. Paperback. The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons with other works, that techniques such as allusiveness need be no more forbidding in humanist tragedy than in, say, Racine or Lamartine. She shows how other features, such as characterization, structure, and the use of Choruses, become not only comprehensible but satisfying when the guiding theme or idee maitresse of a play has been identified and its organizing principles understood. Dr Jondorf argues that these plays should be seen not as pardonably clumsy experiments by the first practitioners of a genre, but as competent works which display skilful deployment of technique in the service of dramatic aims which are, in the broadest sense, didactic. French Renaissance tragedy has too often been treated, even by its defenders, merely as a staging post on the road that leads to Corneille and Racine. This book corrects that perspective. The tragedies produced in France in the sixteenth century by writers such as Garnier, La Taille, and Jodelle are increasingly accessible in good modern editions. Their subject matter included Bible stories and recent history, as well as Greek legend and Roman history. Until now, scholars have tended to regard them as a staging post on the road to Corneille and Racine. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780521025584
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Vendeur : moluna, Greven, Allemagne
Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The tragedies produced in France in the sixteenth century by writers such as Garnier, La Taille, and Jodelle are increasingly accessible in good modern editions. Their subject matter included Bible stories and recent history, as well as Greek legend and Rom. N° de réf. du vendeur 446921562
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