A 1998 collection which takes an alternative look at the courtly masque in early seventeenth-century England.
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"This lively and important collection of essays repositions the criticism of masques to better account for competing court allegiances which the Stuart court masque negotiated....this important volume must be praised for bringing to our attention a new way to conceive of the masque's relation to court politics, an increased appreciation for the position of women in the masque's creative process, and, indeed, a more nuanced understanding of Stuart absolutist ideology." Susanne F. Paterson, Albion
"Every library should possess this collection, and every scholar interested in early modern court and civic life should read it, as Bacon counsels, "wholly, and with Diligence and Attention."" Sixteenth Century Journal
"The Politics of the Stuart Court Masque is, finally, an exceptionally good collection of essays that offers substantial, detailed and informative reconsiderations of an important cultural form." Essays in Theatre
This 1998 book takes an alternative look at the courtly masque in early seventeenth-century England. For a generation, the masque has been a favourite topic of New Historicism, because it has been seen as part of the process by which artistic works interact with politics, both shaping and reflecting the political life of a nation. These exciting essays move importantly beyond a monolithic view of culture and power in the production of masques, to one in which rival factions at the courts of James I and of Charles I represent their clash of viewpoints through dancing and spectacle. All aspects of the masque are considered, from written text and political context to music, stage picture and dance. The essays, written by distinguished scholars from around the world, present an interdisciplinary approach, with experts on dance, music, visual spectacle and politics all addressing the masque from the point of view of their speciality.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Second Story Books, ABAA, Rockville, MD, Etats-Unis
Softcover. First Paperback Edition, First Printing. Octavo, 335 pages. In Very Good minus condition, housed in a plastic sleeve. White spine with black and green lettering. Mild shelf wear, including rubbing to text block; creasing to top corners of pages 255-258; interior pages clean. Shelved in England > Royalty. 1395797. Shelved Dupont Bookstore. N° de réf. du vendeur 1395797
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. This 1998 book takes an alternative look at the courtly masque in early seventeenth-century England. For a generation, the masque has been a favourite topic of New Historicism, because it has been seen as part of the process by which artistic works interact with politics, both shaping and reflecting the political life of a nation. These exciting essays move importantly beyond a monolithic view of culture and power in the production of masques, to one in which rival factions at the courts of James I and of Charles I represent their clash of viewpoints through dancing and spectacle. All aspects of the masque are considered, from written text and political context to music, stage picture and dance. The essays, written by distinguished scholars from around the world, present an interdisciplinary approach, with experts on dance, music, visual spectacle and politics all addressing the masque from the point of view of their speciality. This 1998 book takes an alternative look at the courtly masque - a unique combination of music, dance, speech and elaborate costume - in early seventeenth-century England. The essays are written by experts on dance, music, visual spectacle and politics, all addressing the masque from the point of view of their speciality. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780521031202
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Vendeur : California Books, Miami, FL, Etats-Unis
Etat : New. N° de réf. du vendeur I-9780521031202
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 335 pages. 9.00x6.00x0.75 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __0521031206
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In. N° de réf. du vendeur ria9780521031202_new
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Vendeur : Chiron Media, Wallingford, Royaume-Uni
Paperback. Etat : New. N° de réf. du vendeur 6666-IUK-9780521031202
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. Print on Demand pp. 352 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam. N° de réf. du vendeur 7528668
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. A 1998 collection which takes an alternative look at the courtly masque in early seventeenth-century England. Editor(s): Bevington, David; Holbrook, Peter. Num Pages: 352 pages, 20 b/w illus. 5 music examples. BIC Classification: 2AB; DSBD; DSG. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 19. Weight in Grams: 490. . 2008. Illustrated. paperback. . . . . N° de réf. du vendeur V9780521031202
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Vendeur : Books Puddle, New York, NY, Etats-Unis
Etat : New. Print on Demand pp. 352. N° de réf. du vendeur 26352003
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Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. PRINT ON DEMAND pp. 352. N° de réf. du vendeur 18352009
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