After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also identifies a rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations. The book as a whole, therefore, offers a reading of Dickens through an unusual alliance between literary criticism and theatrical performance.
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After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also identifies a rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations. The book as a whole, therefore, offers a reading of Dickens through an unusual alliance between literary criticism and theatrical performance.
"...this is a title that serious students of Dickens need to read." Choice
"After Dickens is a self-consciously clever book that advocates "takings what we want rather than accepting what we are offered"..." Essays in Theatre
"The entire study is a virtuoso critical and (play) writerly preformance...brilliant and entertaining." Victorian Studies, Summer 2001
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780521032377. N° de réf. du vendeur 9645500
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Etat : New. A study of Dickens's hostility to theatre and theatricality alongside the huge performative potential of his fiction. Series: Cambridge Studies in Nineteenth-Century Literature & Culture. Num Pages: 244 pages, black & white illustrations. BIC Classification: 2AB; 3JH; DSBF; DSK. Category: (P) Professional & Vocational. Dimension: 229 x 154 x 15. Weight in Grams: 400. . 2008. Revised ed. paperback. . . . . N° de réf. du vendeur V9780521032377
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. A study of Dickens's hostility to theatre and theatricality alongside the huge performative potential of his fiction. Series: Cambridge Studies in Nineteenth-Century Literature & Culture. Num Pages: 244 pages, black & white illustrations. BIC Classification: 2AB; 3JH; DSBF; DSK. Category: (P) Professional & Vocational. Dimension: 229 x 154 x 15. Weight in Grams: 400. . 2008. Revised ed. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780521032377
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Paperback. Etat : new. Paperback. After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also identifies a rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations. The book as a whole, therefore, offers a reading of Dickens through an unusual alliance between literary criticism and theatrical performance. John Glavin uncovers a richly ambivalent, often unexpectedly hostile, relationship between Dickens and the theatre and theatricality of his own time. Yet he also explores the performative potential in Dickens's fiction, and describes ways to stage that fiction in emotionally powerful, critically acute adaptations. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780521032377
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