This second volume of essays in Chopin Studies contains Chopin research by twelve leading scholars. Three main topics are addressed: reception history, aesthetics and criticism, and performance studies. The first four chapters investigate certain images associated with Chopin during his lifetime and after his death: Chopin as classical composer, as salon composer, as modernist, as 'otherwordly', as androgyne. The next four essays contextualize and define aspects of his musical language, including narrative stuctures, baroque affinities, progressive tendencies and functional ambiguity. The last four deal with analysis and source study as related to performance, structure and expression, tempo rubato and 'authentic' interpretation. The book ends with a thumbnail sketch of Chopin as revealed in a recently discovered diary for 1847–8.
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This second volume of essays in Chopin Studies contains Chopin research by twelve leading scholars. Three main topics are addressed: reception history, aesthetics and criticism, and performance studies. The first four chapters investigate certain images associated with Chopin during his lifetime and after his death: Chopin as classical composer, as salon composer, as modernist, as 'otherwordly', as androgyne. The next four essays contextualize and define aspects of his musical language, including narrative stuctures, baroque affinities, progressive tendencies and functional ambiguity. The last four deal with analysis and source study as related to performance, structure and expression, tempo rubato and 'authentic' interpretation. The book ends with a thumbnail sketch of Chopin as revealed in a recently discovered diary for 1847–8.
'A book that no serious student should be without ... refreshingly sane.' Jeremy Siepmann, Classical Music
'An immensely valuable and well-researched book.' Stephen Haylett, BBC Music Magazine
'Intermittently engrossing ...' Susan Bradshaw, Musical Times
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. This second volume of essays in Chopin Studies contains Chopin research by twelve leading scholars. Three main topics are addressed: reception history, aesthetics and criticism, and performance studies. The first four chapters investigate certain images associated with Chopin during his lifetime and after his death: Chopin as classical composer, as salon composer, as modernist, as 'otherwordly', as androgyne. The next four essays contextualize and define aspects of his musical language, including narrative stuctures, baroque affinities, progressive tendencies and functional ambiguity. The last four deal with analysis and source study as related to performance, structure and expression, tempo rubato and 'authentic' interpretation. The book ends with a thumbnail sketch of Chopin as revealed in a recently discovered diary for 18478. This second volume of Chopin essays contains Chopin research by twelve leading scholars. Three main topics are addressed: reception history, aesthetics and criticism, and performance studies. The essays explore Chopin as classical composer, modernist and androgyne. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780521034333
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Etat : New. This second volume of Chopin essays contains Chopin research by twelve leading scholars. Editor(s): Rink, John; Samson, Jim. Series: Cambridge Composer Studies. Num Pages: 264 pages, 2 b/w illus. 77 music examples. BIC Classification: AVGC4; AVH. Category: (P) Professional & Vocational. Dimension: 229 x 159 x 20. Weight in Grams: 406. . 2008. paperback. . . . . N° de réf. du vendeur V9780521034333
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