This 1998 book explores eroticism on the early modern English stage, and the analogous suppression of religious drama.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
In this 1998 book, Celia Daileader explores the paradoxes of eroticism on the stage in early modern England, where women and their bodies (represented by boy actors) were materially absent and yet symbolically central. Her starting point is the theoretical and theatrical problem of sexual acts that take place offstage, which is a paradigm for the limits of the visible in Renaissance theatre. The space that lies offstage becomes an imaginary realm, encompassing both spiritual and erotic transcendence. In accounting for its power, Daileader looks to the suppression of religious drama in England and the resulting secularization of the stage. Focusing on the link between absence and desire, and discussing a wide range of drama from Corpus Christi plays to Shakespeare, her argument draws together questions about sexuality and the sacred, in the bodies - of Christ and of woman - that are banished from the early modern English stage.
'In this exciting new book, Celia R. Daileader creates a bold and original thesis from her observation that the early modern theatre featured no actual female bodies ... imaginatively invigorates our senses, quickens our intellect and transforms our knowledge.' Mark Thornton Burnett, Theatre Research International
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Etat : New. This 1998 book explores eroticism on the early modern English stage, and the analogous suppression of religious drama. Series Editor(s): Orgel, Stephen; Barton, Anne; Dollimore, Jonathan; Garber, Marjorie; Goldberg, Jonathan; Vickers, Nancy; Holland, Peter; McLuskie, Kathleen. Series: Cambridge Studies in Renaissance Literature & Culture. Num Pages: 212 pages, 8 b/w illus. BIC Classification: 1DBKE; 2AB; AN; DSBD; DSG. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 12. Weight in Grams: 320. . 2008. Revised ed. paperback. . . . . N° de réf. du vendeur V9780521034678
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Etat : New. This 1998 book explores eroticism on the early modern English stage, and the analogous suppression of religious drama. Series Editor(s): Orgel, Stephen; Barton, Anne; Dollimore, Jonathan; Garber, Marjorie; Goldberg, Jonathan; Vickers, Nancy; Holland, Peter; McLuskie, Kathleen. Series: Cambridge Studies in Renaissance Literature & Culture. Num Pages: 212 pages, 8 b/w illus. BIC Classification: 1DBKE; 2AB; AN; DSBD; DSG. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 12. Weight in Grams: 320. . 2008. Revised ed. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780521034678
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Paperback. Etat : new. Paperback. In this 1998 book, Celia Daileader explores the paradoxes of eroticism on the stage in early modern England, where women and their bodies (represented by boy actors) were materially absent and yet symbolically central. Her starting point is the theoretical and theatrical problem of sexual acts that take place offstage, which is a paradigm for the limits of the visible in Renaissance theatre. The space that lies offstage becomes an imaginary realm, encompassing both spiritual and erotic transcendence. In accounting for its power, Daileader looks to the suppression of religious drama in England and the resulting secularization of the stage. Focusing on the link between absence and desire, and discussing a wide range of drama from Corpus Christi plays to Shakespeare, her argument draws together questions about sexuality and the sacred, in the bodies - of Christ and of woman - that are banished from the early modern English stage. In this 1998 book, Celia Daileader explores paradoxes of eroticism on the early modern English stage, where women were materially absent but symbolically central. She draws an analogy with the suppression of religious drama in England and draws together questions about the bodies - of Christ and of woman - banished from the stage. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780521034678
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In this 1998 book, Celia Daileader explores paradoxes of eroticism on the early modern English stage, where women were materially absent but symbolically central. She draws an analogy with the suppression of religious drama in England and draws together que. N° de réf. du vendeur 446922449
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