The presentation of poetry to auditor and reader involves a complex interaction of rhetorical, orthographical and visual mediating skills. At issue are the nature of 'authority', the creation of a readership attuned to the writer's poetic resonances, and a delicate negotiation between literary tradition and individual talent. In a series of detailed readings leading scholars focus on the presentation of work by Spenser, Herbert, Milton, Dryden, Pope, Smart, Blake, Wordsworth, Browning, Yeats, Lawrence and David Jones. The wide chronological range enables unusually extensive comparison across the boundaries of generic form, and between the varying emotional, aesthetic and rhetorical emphases of specific periods: from the creation of fictitious 'persona' to the construction of autobiographical 'self', from the interaction of printed word and visual image to the arrangements and rearrangements of structure and sequence.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The presentation of poetry to auditor and reader involves a complex interaction of rhetorical, orthographical and visual mediating skills. At issue are the nature of 'authority', the creation of a readership attuned to the writer's poetic resonances, and a delicate negotiation between literary tradition and individual talent. In a series of detailed readings leading scholars focus on the presentation of work by Spenser, Herbert, Milton, Dryden, Pope, Smart, Blake, Wordsworth, Browning, Yeats, Lawrence and David Jones. The wide chronological range enables unusually extensive comparison across the boundaries of generic form, and between the varying emotional, aesthetic and rhetorical emphases of specific periods: from the creation of fictitious 'persona' to the construction of autobiographical 'self', from the interaction of printed word and visual image to the arrangements and rearrangements of structure and sequence.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Chiron Media, Wallingford, Royaume-Uni
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Etat : New. Print on Demand pp. 284 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam. N° de réf. du vendeur 7439425
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. The presentation of poetry to auditor and reader from the sixteenth to the twentieth centuries. Editor(s): Erskine-Hill, Howard; McCabe, Richard A. Num Pages: 284 pages, 7 b/w illus. BIC Classification: DSC. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 16. Weight in Grams: 420. . 2008. 1st Edition. paperback. . . . . N° de réf. du vendeur V9780521078924
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Etat : New. The presentation of poetry to auditor and reader from the sixteenth to the twentieth centuries. Editor(s): Erskine-Hill, Howard; McCabe, Richard A. Num Pages: 284 pages, 7 b/w illus. BIC Classification: DSC. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 16. Weight in Grams: 420. . 2008. 1st Edition. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780521078924
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Vendeur : CitiRetail, Stevenage, Royaume-Uni
Paperback. Etat : new. Paperback. The presentation of poetry to auditor and reader involves a complex interaction of rhetorical, orthographical and visual mediating skills. At issue are the nature of 'authority', the creation of a readership attuned to the writer's poetic resonances, and a delicate negotiation between literary tradition and individual talent. In a series of detailed readings leading scholars focus on the presentation of work by Spenser, Herbert, Milton, Dryden, Pope, Smart, Blake, Wordsworth, Browning, Yeats, Lawrence and David Jones. The wide chronological range enables unusually extensive comparison across the boundaries of generic form, and between the varying emotional, aesthetic and rhetorical emphases of specific periods: from the creation of fictitious 'persona' to the construction of autobiographical 'self', from the interaction of printed word and visual image to the arrangements and rearrangements of structure and sequence. The presentation of poetry to auditor and reader involves a complex interaction of rhetorical, orthographical and visual mediating skills. Leading scholars focus on the presentation of major poetic texts from the sixteenth to the twentieth centuries, exploring changes in rhetoric, structure and form. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780521078924
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