This book explores the complex interrelationship between texts and drawings in the late tenth or early eleventh-century Junius II manuscript, the only surviving illustrated Anglo-Saxon poetic manuscript. The book, which contains a plate section of sixty-one illustrations, focuses on the way in which the drawings both illustrate the text and translate it into a new visual language. Poems and illustrations work to create a carefully crafted and unified manuscript, but both also use formulaic language, iconography and compositions to construct a web of intertextual and intervisual references that open the poems to readings far more diverse than those of the biblical books on which they are based. Together poems and drawings create a new and unique version of biblical history, and suggest ways in which biblical history relates to Anglo-Saxon history and the manuscript's Anglo-Saxon audience - a process which has been extended by the manuscript's many editors to include contemporary history and the contemporary reader.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Professor Catherine E. Karkov has taught at Miami University since 1990 and is an affiliate in both the History and Women's Studies departments. She is editor of The Archaeology of Anglo-Saxon England: Basic Readings (New York, 1999), and co-editor of numerous books on the art and archaeology of early medieval England and Ireland.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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paperback. Etat : Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur rev5237817541
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Paperback. Etat : New. This book explores the complex interrelationship between texts and drawings in the late tenth or early eleventh-century Junius II manuscript, the only surviving illustrated Anglo-Saxon poetic manuscript. The book, which contains a plate section of sixty-one illustrations, focuses on the way in which the drawings both illustrate the text and translate it into a new visual language. Poems and illustrations work to create a carefully crafted and unified manuscript, but both also use formulaic language, iconography and compositions to construct a web of intertextual and intervisual references that open the poems to readings far more diverse than those of the biblical books on which they are based. Together poems and drawings create a new and unique version of biblical history, and suggest ways in which biblical history relates to Anglo-Saxon history and the manuscript's Anglo-Saxon audience - a process which has been extended by the manuscript's many editors to include contemporary history and the contemporary reader. N° de réf. du vendeur LU-9780521093064
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Studies the interrelationship of text and picture in the only surviving illustrated Anglo-Saxon poetic manuscript. Series: Cambridge Studies in Anglo-Saxon England. Num Pages: 288 pages, 61 b/w illus. BIC Classification: 2ABA; DSBB. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 16. Weight in Grams: 430. . 2009. 1st Edition. paperback. . . . . N° de réf. du vendeur V9780521093064
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. Studies the interrelationship of text and picture in the only surviving illustrated Anglo-Saxon poetic manuscript. Series: Cambridge Studies in Anglo-Saxon England. Num Pages: 288 pages, 61 b/w illus. BIC Classification: 2ABA; DSBB. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 16. Weight in Grams: 430. . 2009. 1st Edition. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780521093064
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Etat : New. Print on Demand pp. 288 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam. N° de réf. du vendeur 7357741
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