Articles liés à The Dark Comedy

The Dark Comedy - Couverture souple

Styan, J. L.

 
9780521095297: The Dark Comedy
Couverture souple
ISBN 10 : 0521095298 ISBN 13 : 9780521095297
Editeur : Cambridge University Press, 2008

Synopsis

Much of twentieth-century drama defies the traditional pigeon-holes of tragedy and comedy: the heroes are not straightforwardly heroic; the subject-matter seems at some times grimly realistic and at others nearer to pure fantasy. Professor Styan explains and illuminates the nature of this dark, paradoxical comedy. He reminds us, first, that this is not a purely modern phenomenon: many great plays of the past have similarly defied classification and have called for an equally vacillating response from their audience. But nonetheless this dramatic genre has had its clearest expression in the last sixty years: we are shown in detail how its techniques have developed from Ibsen and Chekhov to Pirandello, Brecht and contemporary playwrights such as Ionesco, Beckett, Tennessee Williams and Pinter. The author brings us to realize that the playwright, by creating complex tensions in the action of the play between the actor and the audience and within the individual spectator, is able to explore new areas of human feeling and response. In this second edition of The Dark Comedy Professor Styan has brought the book up to date in relation to recent plays and theatrical developments. He has modified some earlier judgements and added detailed analyses of scenes from Brecht's Mother Courage and from Beckett's Waiting for Godot. Anyone who takes an intelligent interest in theatre-going will find profit and stimulus in this book. It covers a wide range of subject-matter; but its underlying theme is clear, forceful and unified.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Présentation de l'éditeur

Much of twentieth-century drama defies the traditional pigeon-holes of tragedy and comedy: the heroes are not straightforwardly heroic; the subject-matter seems at some times grimly realistic and at others nearer to pure fantasy. Professor Styan explains and illuminates the nature of this dark, paradoxical comedy. He reminds us, first, that this is not a purely modern phenomenon: many great plays of the past have similarly defied classification and have called for an equally vacillating response from their audience. But nonetheless this dramatic genre has had its clearest expression in the last sixty years: we are shown in detail how its techniques have developed from Ibsen and Chekhov to Pirandello, Brecht and contemporary playwrights such as Ionesco, Beckett, Tennessee Williams and Pinter. The author brings us to realize that the playwright, by creating complex tensions in the action of the play between the actor and the audience and within the individual spectator, is able to explore new areas of human feeling and response. In this second edition of The Dark Comedy Professor Styan has brought the book up to date in relation to recent plays and theatrical developments. He has modified some earlier judgements and added detailed analyses of scenes from Brecht's Mother Courage and from Beckett's Waiting for Godot. Anyone who takes an intelligent interest in theatre-going will find profit and stimulus in this book. It covers a wide range of subject-matter; but its underlying theme is clear, forceful and unified.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
Cambridge University Press
Date d'édition
2008
Langue
anglais
ISBN 10 
0521095298
ISBN 13 
9780521095297
Reliure
Broché
Numéro d'édition
2
Nombre de pages
320
Coordonnées du fabricant
non disponible
Personne responsable
Avery
https://www.avery.fr/

chemin des peupliers 27
Dardilly
France