Novel Arguments, first published in 1995, argues that innovative fiction extends our ways of thinking about the world.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Novel Arguments argues that innovative fiction - by which is meant writing that has been variously labelled as postmodern, metafictional, experimental - extends our ways of thinking about the world, rejecting the critical consensus that, under the rubrics of postmodernism and metafiction, homogenises this fiction as autonomous and self-absorbed. Play, self-consciousness and immanence - supposed symptoms of innovative fiction's autonomy - are here reconsidered as integral to its means of engagement. The 1995 book advances a concept of the 'argument' of fiction as a construct wedding structure and content into a highly evolved and expressive form. The argument, not the content, is established as the site of a fiction's 'aboutness' and thus the usual emphasis upon the generalities of innovative form is replaced by a concern for the logic of specific literary effects. Walsh deftly argues for an understanding of fictional cognition at the theoretical level and in an act of unmatched critical creativity, discards altogether the flattening totalities of received postmodern formulations.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Novel Arguments, first published in 1995, argues that innovative fiction extends our ways of thinking about the world. Series: Cambridge Studies in American Literature and Culture. Num Pages: 200 pages, black & white illustrations. BIC Classification: 1KBB; 2AB; DSBH; DSK. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152 x 12. Weight in Grams: 300. . 2009. 1st Edition. paperback. . . . . N° de réf. du vendeur V9780521107037
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Etat : New. In English. N° de réf. du vendeur ria9780521107037_new
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Vendeur : Books Puddle, Woodside, NY, Etats-Unis
Etat : New. pp. 200. N° de réf. du vendeur 26532345
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. Novel Arguments, first published in 1995, argues that innovative fiction extends our ways of thinking about the world. Series: Cambridge Studies in American Literature and Culture. Num Pages: 200 pages, black & white illustrations. BIC Classification: 1KBB; 2AB; DSBH; DSK. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152 x 12. Weight in Grams: 300. . 2009. 1st Edition. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780521107037
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. Print on Demand pp. 200 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam. N° de réf. du vendeur 8364198
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Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
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Vendeur : CitiRetail, Stevenage, Royaume-Uni
Paperback. Etat : new. Paperback. Novel Arguments argues that innovative fiction - by which is meant writing that has been variously labelled as postmodern, metafictional, experimental - extends our ways of thinking about the world, rejecting the critical consensus that, under the rubrics of postmodernism and metafiction, homogenises this fiction as autonomous and self-absorbed. Play, self-consciousness and immanence - supposed symptoms of innovative fiction's autonomy - are here reconsidered as integral to its means of engagement. The 1995 book advances a concept of the 'argument' of fiction as a construct wedding structure and content into a highly evolved and expressive form. The argument, not the content, is established as the site of a fiction's 'aboutness' and thus the usual emphasis upon the generalities of innovative form is replaced by a concern for the logic of specific literary effects. Walsh deftly argues for an understanding of fictional cognition at the theoretical level and in an act of unmatched critical creativity, discards altogether the flattening totalities of received postmodern formulations. Novel Arguments, first published in 1995, argues that innovative fiction extends our ways of thinking about the world, rejecting the critical consensus that, under the rubrics of postmodernism and metafiction, homogenises this fiction as autonomous and self-absorbed. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780521107037
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Novel Arguments argues that innovative fiction - by which is meant writing that has been variously labelled as postmodern, metafictional, experimental - extends our ways of thinking about the world, rejecting the critical consensus that, under the rubrics of postmodernism and metafiction, homogenises this fiction as autonomous and self-absorbed. Play, self-consciousness and immanence - supposed symptoms of innovative fiction's autonomy - are here reconsidered as integral to its means of engagement. The 1995 book advances a concept of the 'argument' of fiction as a construct wedding structure and content into a highly evolved and expressive form. The argument, not the content, is established as the site of a fiction's 'aboutness' and thus the usual emphasis upon the generalities of innovative form is replaced by a concern for the logic of specific literary effects. Walsh deftly argues for an understanding of fictional cognition at the theoretical level and in an act of unmatched critical creativity, discards altogether the flattening totalities of received postmodern formulations. N° de réf. du vendeur 9780521107037
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