This book examines the problematic area of narrative structure under conditions of severe stress. Each of the four authors is shown to be concerned with the tension between narrative coherence as a desirable goal and an unfortunate check placed on the 'free' play of fantasy. This tension produces powerful disruptions of literary form in the lyric (Baudelaire, Mallarmé), prose poetry (Baudelaire, Rimbaud) and the novel (Flaubert) which are examined here. A final chapter draws out some of the historical implications of these readings in a discussion of Baudelaire's and Flaubert's trials for obscenity and of Marx's writings on France from 1848 to 1871. Professor Wing demonstrates that all these texts retain an unstable balance between earlier modes of thought, feeling and expression and the depersonal, fragmented modern text. He revises notions of modernity and invites us to reconsider traces of earlier forms of writing in more canonically modern texts.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
This book examines the problematic area of narrative structure under conditions of severe stress. Each of the four authors is shown to be concerned with the tension between narrative coherence as a desirable goal and an unfortunate check placed on the 'free' play of fantasy. This tension produces powerful disruptions of literary form in the lyric (Baudelaire, Mallarmé), prose poetry (Baudelaire, Rimbaud) and the novel (Flaubert) which are examined here. A final chapter draws out some of the historical implications of these readings in a discussion of Baudelaire's and Flaubert's trials for obscenity and of Marx's writings on France from 1848 to 1871. Professor Wing demonstrates that all these texts retain an unstable balance between earlier modes of thought, feeling and expression and the depersonal, fragmented modern text. He revises notions of modernity and invites us to reconsider traces of earlier forms of writing in more canonically modern texts.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : New. This book examines the problematic area of narrative structure under conditions of severe stress. Series: Cambridge Studies in French. Num Pages: 168 pages, black & white illustrations. BIC Classification: 1DDF; 2ADF; DSB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 216 x 140 x 10. Weight in Grams: 220. . 2009. 1st Edition. paperback. . . . . N° de réf. du vendeur V9780521114158
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Etat : New. This book examines the problematic area of narrative structure under conditions of severe stress. Series: Cambridge Studies in French. Num Pages: 168 pages, black & white illustrations. BIC Classification: 1DDF; 2ADF; DSB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 216 x 140 x 10. Weight in Grams: 220. . 2009. 1st Edition. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780521114158
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Paperback. Etat : new. Paperback. This book examines the problematic area of narrative structure under conditions of severe stress. Each of the four authors is shown to be concerned with the tension between narrative coherence as a desirable goal and an unfortunate check placed on the 'free' play of fantasy. This tension produces powerful disruptions of literary form in the lyric (Baudelaire, Mallarme), prose poetry (Baudelaire, Rimbaud) and the novel (Flaubert) which are examined here. A final chapter draws out some of the historical implications of these readings in a discussion of Baudelaire's and Flaubert's trials for obscenity and of Marx's writings on France from 1848 to 1871. Professor Wing demonstrates that all these texts retain an unstable balance between earlier modes of thought, feeling and expression and the depersonal, fragmented modern text. He revises notions of modernity and invites us to reconsider traces of earlier forms of writing in more canonically modern texts. This book examines the problematic area of narrative structure under conditions of severe stress. Each of the four authors, Baudelaire, Flaubert, Rimbaud and Mallarme, is shown to be concerned with the tension between narrative coherence as a desirable goal and an unfortunate check placed on the 'free' play of fantasy. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780521114158
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book examines the problematic area of narrative structure under conditions of severe stress. Each of the four authors, Baudelaire, Flaubert, Rimbaud and Mallarme, is shown to be concerned with the tension between narrative coherence as a desirable goal. N° de réf. du vendeur 446926238
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Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - This book examines the problematic area of narrative structure under conditions of severe stress. Each of the four authors is shown to be concerned with the tension between narrative coherence as a desirable goal and an unfortunate check placed on the 'free' play of fantasy. This tension produces powerful disruptions of literary form in the lyric (Baudelaire, Mallarmé), prose poetry (Baudelaire, Rimbaud) and the novel (Flaubert) which are examined here. A final chapter draws out some of the historical implications of these readings in a discussion of Baudelaire's and Flaubert's trials for obscenity and of Marx's writings on France from 1848 to 1871. Professor Wing demonstrates that all these texts retain an unstable balance between earlier modes of thought, feeling and expression and the depersonal, fragmented modern text. He revises notions of modernity and invites us to reconsider traces of earlier forms of writing in more canonically modern texts. N° de réf. du vendeur 9780521114158
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