This book explores how mechanics participate in the intellectual culture of Renaissance humanism.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jessica Wolfe is Assistant Professor in the Department of English at the University of North Carolina Chapel Hill.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. This book explores how machinery and the practice of mechanics participate in the intellectual culture of Renaissance humanism. Before the emergence of the concept of technology, sixteenth- and early seventeenth-century writers recognised the applicability of mechanical practices and objects to some of their most urgent moral, aesthetic, and political questions. The construction, use, and representation of devices including clocks, scientific instruments, stage machinery, and war engines not only reflect but also actively reshape how Renaissance writers define and justify artifice and instrumentality - the reliance upon instruments, mechanical or otherwise, to achieve a particular end. Harnessing the discipline of mechanics to their literary and philosophical concerns, scholars and poets including Francis Bacon, Edmund Spenser, George Chapman, and Gabriel Harvey look to machinery to ponder and dispute all manner of instrumental means, from rhetoric and pedagogy to diplomacy and courtly dissimulation. N° de réf. du vendeur LU-9780521123761
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Etat : New. This book explores how mechanics participate in the intellectual culture of Renaissance humanism. Num Pages: 320 pages, 10 b/w illus. BIC Classification: DSBD. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152 x 18. Weight in Grams: 470. . 2009. Reissue. paperback. . . . . N° de réf. du vendeur V9780521123761
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Etat : New. This book explores how mechanics participate in the intellectual culture of Renaissance humanism. Num Pages: 320 pages, 10 b/w illus. BIC Classification: DSBD. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152 x 18. Weight in Grams: 470. . 2009. Reissue. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780521123761
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Paperback. Etat : new. Paperback. This book explores how machinery and the practice of mechanics participate in the intellectual culture of Renaissance humanism. Before the emergence of the concept of technology, sixteenth- and early seventeenth-century writers recognised the applicability of mechanical practices and objects to some of their most urgent moral, aesthetic, and political questions. The construction, use, and representation of devices including clocks, scientific instruments, stage machinery, and war engines not only reflect but also actively reshape how Renaissance writers define and justify artifice and instrumentality - the reliance upon instruments, mechanical or otherwise, to achieve a particular end. Harnessing the discipline of mechanics to their literary and philosophical concerns, scholars and poets including Francis Bacon, Edmund Spenser, George Chapman, and Gabriel Harvey look to machinery to ponder and dispute all manner of instrumental means, from rhetoric and pedagogy to diplomacy and courtly dissimulation. This book explores how mechanics participate in the intellectual culture of Renaissance humanism. Harnessing the discipline of mechanics to their literary and philosophical concerns, writers including Francis Bacon and Edmund Spenser look to machinery to ponder all manner of instrumental means, from rhetoric and pedagogy to diplomacy and courtly dissimulation. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780521123761
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