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9780521158008: Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death

Synopsis

An account of Shakespeare's last plays in relation to the idea of 'late style'.

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Revue de presse

Reviews of the hardback: 'Gordon McMullan's Shakespeare and the Idea of Late Writing is easily the best critical study of Shakespeare to appear this year. Packed with insights both theoretical and historical - and ranging from Edmond Malone to Henry James to Edward Said - it's the kind of book that literary scholars (as well as art and music historians) will want to keep close at hand.'  James Shapiro, Columbia University and author of 1599

'Inevitably, the book raises many questions, some explicit and others by implication. ... the very openness to questioning is one of the book's strengths, alongside its deft handling of an extensive and surprisingly diverse range of ideas, its refusal to follow a single intellectual path, and the skill with which it moves across disciplinary boundaries. It also demonstrates an elegance and modesty too often lacking in many discussions of complicated ideas. All this, and its open-mindedness, make it a very provocative, and a very important, book.' English Studies

Présentation de l'éditeur

What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or in proximity to death, late style is in fact a critical construct. Taking Shakespeare as his exemplar, he maps the development of the 'discourse of lateness' from the eighteenth century to the present, noting not only the mismatch between that discourse and the actual conditions for authorship in early modern theatre but also its generativity for subsequent projections of creative selfhood. He thus offers the first critique of the idea of late style, which will be of interest not only to literature specialists but also to art historians, musicologists and anyone curious about the relationship of creativity to old age and to death.

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9780521863049: Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death

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ISBN 10 :  052186304X ISBN 13 :  9780521863049
Editeur : Cambridge University Press, 2007
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book is an account of the ways in which we have come to understand Shakespeare s final plays as an instance of the idea of late style . It will be of interest to literature specialists, musicologists and art historians, and anyone curious about the re. N° de réf. du vendeur 446928353

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Paperback. Etat : new. Paperback. What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or in proximity to death, late style is in fact a critical construct. Taking Shakespeare as his exemplar, he maps the development of the 'discourse of lateness' from the eighteenth century to the present, noting not only the mismatch between that discourse and the actual conditions for authorship in early modern theatre but also its generativity for subsequent projections of creative selfhood. He thus offers the first critique of the idea of late style, which will be of interest not only to literature specialists but also to art historians, musicologists and anyone curious about the relationship of creativity to old age and to death. This book is an account of the ways in which we have come to understand Shakespeare's final plays as an instance of the idea of 'late style'. It will be of interest to literature specialists, musicologists and art historians, and anyone curious about the relationship of creativity to death. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780521158008

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Paperback. Etat : new. Paperback. What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or in proximity to death, late style is in fact a critical construct. Taking Shakespeare as his exemplar, he maps the development of the 'discourse of lateness' from the eighteenth century to the present, noting not only the mismatch between that discourse and the actual conditions for authorship in early modern theatre but also its generativity for subsequent projections of creative selfhood. He thus offers the first critique of the idea of late style, which will be of interest not only to literature specialists but also to art historians, musicologists and anyone curious about the relationship of creativity to old age and to death. This book is an account of the ways in which we have come to understand Shakespeare's final plays as an instance of the idea of 'late style'. It will be of interest to literature specialists, musicologists and art historians, and anyone curious about the relationship of creativity to death. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780521158008

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Paperback. Etat : new. Paperback. What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or in proximity to death, late style is in fact a critical construct. Taking Shakespeare as his exemplar, he maps the development of the 'discourse of lateness' from the eighteenth century to the present, noting not only the mismatch between that discourse and the actual conditions for authorship in early modern theatre but also its generativity for subsequent projections of creative selfhood. He thus offers the first critique of the idea of late style, which will be of interest not only to literature specialists but also to art historians, musicologists and anyone curious about the relationship of creativity to old age and to death. This book is an account of the ways in which we have come to understand Shakespeare's final plays as an instance of the idea of 'late style'. It will be of interest to literature specialists, musicologists and art historians, and anyone curious about the relationship of creativity to death. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780521158008

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