Richards revises the prevailing portrayal of Poe as an isolated idiosyncratic genius, showing how he worked with contemporary female poets.
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Poe is frequently portrayed as an isolated idiosyncratic genius who was unwilling or unable to adapt himself to the cultural conditions of his time. In this text, Eliza Richards revises this portrayal through an exploration of his collaborations and rivalries with his female contemporaries. Richards demonstrates that he staged his performance of tortured isolation in the salons and ephemeral publications of New York City in conjunction with prominent women poets whose work he sought to surpass. She introduces and interprets the work of three important and largely forgotten women poets: Frances Sargent Osgood, Sarah Helen Whitman, and Elizabeth Oakes Smith. Richards re-evaluates the work of these writers, and of nineteenth-century lyric practices more generally, by examining poems in the context of their circulation and reception within nineteenth-century print culture. This book will be of interest to scholars of American print culture as well as specialists of nineteenth-century literature and poetry.
Review of the hardback: '... meticulously researched. Richards has drawn together an impressive amount of detail about the social networks and gendered values of the literary marketplace governing the transmission of poetry in nineteenth-century America. ... the book will appeal broadly to beginning as well as advanced readers in gender studies, women's literary history and American cultural studies.' Journal of American Studies
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Paperback. Etat : new. Paperback. Poe is frequently portrayed as an isolated idiosyncratic genius who was unwilling or unable to adapt himself to the cultural conditions of his time. In this text, Eliza Richards revises this portrayal through an exploration of his collaborations and rivalries with his female contemporaries. Richards demonstrates that he staged his performance of tortured isolation in the salons and ephemeral publications of New York City in conjunction with prominent women poets whose work he sought to surpass. She introduces and interprets the work of three important and largely forgotten women poets: Frances Sargent Osgood, Sarah Helen Whitman, and Elizabeth Oakes Smith. Richards re-evaluates the work of these writers, and of nineteenth-century lyric practices more generally, by examining poems in the context of their circulation and reception within nineteenth-century print culture. This book will be of interest to scholars of American print culture as well as specialists of nineteenth-century literature and poetry. Poe is frequently portrayed as an isolated idiosyncratic genius who was unwilling or unable to adapt himself to the cultural conditions of his time. In this text, Eliza Richards revises this portrayal through an exploration of his collaborations and rivalries with his female contemporaries. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780521174398
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Etat : New. Richards revises the prevailing portrayal of Poe as an isolated idiosyncratic genius, showing how he worked with contemporary female poets. Series: Cambridge Studies in American Literature and Culture. Num Pages: 258 pages, black & white illustrations. BIC Classification: DSB. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 15. Weight in Grams: 380. . 2011. Reissue. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780521174398
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Paperback. Etat : new. Paperback. Poe is frequently portrayed as an isolated idiosyncratic genius who was unwilling or unable to adapt himself to the cultural conditions of his time. In this text, Eliza Richards revises this portrayal through an exploration of his collaborations and rivalries with his female contemporaries. Richards demonstrates that he staged his performance of tortured isolation in the salons and ephemeral publications of New York City in conjunction with prominent women poets whose work he sought to surpass. She introduces and interprets the work of three important and largely forgotten women poets: Frances Sargent Osgood, Sarah Helen Whitman, and Elizabeth Oakes Smith. Richards re-evaluates the work of these writers, and of nineteenth-century lyric practices more generally, by examining poems in the context of their circulation and reception within nineteenth-century print culture. This book will be of interest to scholars of American print culture as well as specialists of nineteenth-century literature and poetry. Poe is frequently portrayed as an isolated idiosyncratic genius who was unwilling or unable to adapt himself to the cultural conditions of his time. In this text, Eliza Richards revises this portrayal through an exploration of his collaborations and rivalries with his female contemporaries. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780521174398
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Poe is frequently portrayed as an isolated idiosyncratic genius who was unwilling or unable to adapt himself to the cultural conditions of his time. In this text, Eliza Richards revises this portrayal through an exploration of his collaborations and rivalri. N° de réf. du vendeur 446928750
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