This book demonstrates the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how the playwright explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. Like this trio, his deepest and most captivating characters often attain their power through the highly performative mode of 'personation' - through playing the character as an open secret. Surveying the whole of the playwright's career in the theatre, Shakespeare and the Power of Performance offers not only compelling ways of approaching the relation of performance and print in Shakespeare's works, but also new models for understanding dramatic character itself.
Review of the hardback: 'Learned, readable, and provocative, this extraordinary book brings the range and depth of Robert Weimann's and Douglas Bruster's rich knowledge of the early modern stage to bear on a theoretically engaging reading of the interplay between dramatic writing and stage performance.' W. B. Worthen, University of Michigan
Review of the hardback: 'This convincing study radically extends our understanding of the productive interplay between text and theatre in Shakespeare's work. Weimann and Bruster brilliantly analyse the actor-playwright's skill in turning to advantage the potentially uneasy relation between the imagination of the author and the material reality of his actors.' Catherine Belsey, University of Wales, Swansea
Review of the hardback: '... essential reading for anyone teaching or studying Shakespeare, as well as those working in the theatre ...' Robert Hornback
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : California Books, Miami, FL, Etats-Unis
Etat : New. N° de réf. du vendeur I-9780521182836
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In English. N° de réf. du vendeur ria9780521182836_new
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. This book demonstrates the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. Num Pages: 278 pages, black & white illustrations. BIC Classification: 2AB; DSB; DSGS. Category: (P) Professional & Vocational. Dimension: 229 x 154 x 15. Weight in Grams: 426. . 2010. Reissue. paperback. . . . . N° de réf. du vendeur V9780521182836
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Vendeur : Chiron Media, Wallingford, Royaume-Uni
Paperback. Etat : New. N° de réf. du vendeur 6666-IUK-9780521182836
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Paperback / softback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. N° de réf. du vendeur C9780521182836
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Etat : New. pp. 278. N° de réf. du vendeur 262100685
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. This book demonstrates the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. Num Pages: 278 pages, black & white illustrations. BIC Classification: 2AB; DSB; DSGS. Category: (P) Professional & Vocational. Dimension: 229 x 154 x 15. Weight in Grams: 426. . 2010. Reissue. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780521182836
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. Print on Demand pp. 278 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam. N° de réf. du vendeur 5747218
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Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. PRINT ON DEMAND pp. 278. N° de réf. du vendeur 182100679
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Vendeur : CitiRetail, Stevenage, Royaume-Uni
Paperback. Etat : new. Paperback. Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how the playwright explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. Like this trio, his deepest and most captivating characters often attain their power through the highly performative mode of 'personation' - through playing the character as an open secret. Surveying the whole of the playwright's career in the theatre, Shakespeare and the Power of Performance offers not only compelling ways of approaching the relation of performance and print in Shakespeare's works, but also new models for understanding dramatic character itself. Bridging the gap between today's page- and stage-centred interpretations of Shakespeare's works, Weimann and Bruster explore how the playwright responded to the competing claims of acting and writing in the Elizabethan era. Focusing on the trio of clown, fool, and cross-dressed boy actor, they demonstrate how Shakespeare explored issues of performance. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780521182836
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