This book demonstrates the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era.
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Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how the playwright explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. Like this trio, his deepest and most captivating characters often attain their power through the highly performative mode of 'personation' - through playing the character as an open secret. Surveying the whole of the playwright's career in the theatre, Shakespeare and the Power of Performance offers not only compelling ways of approaching the relation of performance and print in Shakespeare's works, but also new models for understanding dramatic character itself.
Review of the hardback: 'Learned, readable, and provocative, this extraordinary book brings the range and depth of Robert Weimann's and Douglas Bruster's rich knowledge of the early modern stage to bear on a theoretically engaging reading of the interplay between dramatic writing and stage performance.' W. B. Worthen, University of Michigan
Review of the hardback: 'This convincing study radically extends our understanding of the productive interplay between text and theatre in Shakespeare's work. Weimann and Bruster brilliantly analyse the actor-playwright's skill in turning to advantage the potentially uneasy relation between the imagination of the author and the material reality of his actors.' Catherine Belsey, University of Wales, Swansea
Review of the hardback: '... essential reading for anyone teaching or studying Shakespeare, as well as those working in the theatre ...' Robert Hornback
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : BooksRun, Philadelphia, PA, Etats-Unis
Paperback. Etat : Very Good. Reissue. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. N° de réf. du vendeur 0521182832-8-1
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 47061848-75
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how the playwright explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. Like this trio, his deepest and most captivating characters often attain their power through the highly performative mode of 'personation' - through playing the character as an open secret. Surveying the whole of the playwright's career in the theatre, Shakespeare and the Power of Performance offers not only compelling ways of approaching the relation of performance and print in Shakespeare's works, but also new models for understanding dramatic character itself. Bridging the gap between today's page- and stage-centred interpretations of Shakespeare's works, Weimann and Bruster explore how the playwright responded to the competing claims of acting and writing in the Elizabethan era. Focusing on the trio of clown, fool, and cross-dressed boy actor, they demonstrate how Shakespeare explored issues of performance. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780521182836
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Vendeur : California Books, Miami, FL, Etats-Unis
Etat : New. N° de réf. du vendeur I-9780521182836
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. reissue edition. 266 pages. 8.75x6.00x0.70 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __0521182832
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In. N° de réf. du vendeur ria9780521182836_new
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Vendeur : Chiron Media, Wallingford, Royaume-Uni
Paperback. Etat : New. N° de réf. du vendeur 6666-IUK-9780521182836
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. This book demonstrates the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. Num Pages: 278 pages, black & white illustrations. BIC Classification: 2AB; DSB; DSGS. Category: (P) Professional & Vocational. Dimension: 229 x 154 x 15. Weight in Grams: 426. . 2010. Reissue. paperback. . . . . N° de réf. du vendeur V9780521182836
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Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Paperback / softback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. N° de réf. du vendeur C9780521182836
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Vendeur : Books Puddle, New York, NY, Etats-Unis
Etat : New. pp. 278. N° de réf. du vendeur 262100685
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