This volume is one of the first to examine in detail the numerous violin treatises of the late-eighteenth and early-nineteenth centuries. It provides a scholarly historical and technical guide to violin pedagogical method, technique and performance practice during the most critical period in the history of the instrument. Extracts in translation from the most significant and authoritative sources are presented with introductions, commentary, illustrations, extensive musical examples and a glossary of specific ornaments. It will be of interest and use to students, performers, and historians.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
'He offers us a well turned-out knowledgeable and agreeable companion. Every violin-lover's home should have one.' Musical Times
'[The book] provides a mass of useful information on the diverse attitudes of performers and teachers at a fascinating stage in the development of violin playing; substantial extracts from some of the most important voilin methods are quoted verbatim, making many of them available in English for the first time.' Music and Letters
'For a player, or anybody with an interest in the violin, this book is a valuable guide to the foundations of modern violin-technique.' The Galpin Society Journal
'Scholarship and practical music-making do not always go hand in hand, and their happy fusion in this valuable research by Robin Stowell is extremely topical and most enlightening. It must surely become essential reading for anyone interested in this repertoire.' Early Music
This volume is one of the first to examine in detail the numerous violin treatises of the late-eighteenth and early-nineteenth centuries. It provides a scholarly historical and technical guide to violin pedagogical method, technique and performance practice during the most critical period in the history of the instrument. Extracts in translation from the most significant and authoritative sources are presented with introductions, commentary, illustrations, extensive musical examples and a glossary of specific ornaments. It will be of interest and use to students, performers, and historians.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Friends of Pima County Public Library, Tucson, AZ, Etats-Unis
hardcover. Etat : Good. Clean Pages. Proceeds benefit the Pima County Public Library system, which serves Tucson and southern Arizona. Slight edge wear and bumping. Dust jacket shows edgewear and shelfwear. N° de réf. du vendeur mon0000013563
Quantité disponible : 1 disponible(s)
Vendeur : Lost Time Books, Brattleboro, VT, Etats-Unis
Hardcover. Etat : VG. 1968 unabridged reprint of the first edition. 4to in cloth. 431 pp. plus three foldout supplements and a foldout map in rear pocket. Moderate wear. Binding is sound. Interior is clean. No writing or markings of any kind. Foldouts are in excellent condition. Ships wrapped in bubble wrap and packed with care in a box. N° de réf. du vendeur 072425-19
Quantité disponible : 1 disponible(s)
Vendeur : Andover Books and Antiquities, Andover, MA, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Good. a volume in the series entitled Cambridge Musical Texts and Monographs. on dustjacket: color fading on and near spine, yellowing on rear and on side panels, and a touch of color rubbing on the interior. N° de réf. du vendeur LL804
Quantité disponible : 1 disponible(s)