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The Dark Side of the Landscape: The Rural Poor in English Painting 1730-1840 - Couverture souple

Barrell, John

 
9780521276559: The Dark Side of the Landscape: The Rural Poor in English Painting 1730-1840
Couverture souple
ISBN 10 : 0521276551 ISBN 13 : 9780521276559
Editeur : Cambridge University Press, 1983

Synopsis

The eighteenth-century saw a radical change in the depiction of country life in English painting: feeling less constrained by the conventions of classical or theatrical pastoral, landscape painters attempted to offer a portrayal of what life was really like, or was thought to be like, in England; and this inevitably involved a distinct approach to the depiction of the rural poor. John Barrell's influential 1980 study shows why the poor began to be of such interest to painters, and examines the ways in which they could be represented so as to be an acceptable part of the décor of the salons of the rich. His discussion focuses on the work of three painters: Thomas Gainsborough, George Morland and John Constable. Throughout the book, Barrell draws illuminating comparisons with the literature of rural life and with the work of other painters. His terse and vigourous account has provided a landmark for social historians and literary critics, as well as historians of art.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Présentation de l'éditeur

The eighteenth-century saw a radical change in the depiction of country life in English painting: feeling less constrained by the conventions of classical or theatrical pastoral, landscape painters attempted to offer a portrayal of what life was really like, or was thought to be like, in England; and this inevitably involved a distinct approach to the depiction of the rural poor. John Barrell's influential 1980 study shows why the poor began to be of such interest to painters, and examines the ways in which they could be represented so as to be an acceptable part of the décor of the salons of the rich. His discussion focuses on the work of three painters: Thomas Gainsborough, George Morland and John Constable. Throughout the book, Barrell draws illuminating comparisons with the literature of rural life and with the work of other painters. His terse and vigourous account has provided a landmark for social historians and literary critics, as well as historians of art.

Revue de presse

'This is a most original, searching and disquieting book. It will help us to look at old masters with new eyes: and also, since we are convicted by Barrell of certain nostalgic illustions about the agrarian past, it will help us to look at ourselves.' E. P. Thompson

'A brilliant reading of certain sets of pictorial conventions (signs) and of how and why they changed during a given historical period.' New Society

'Barrell has made a valuable contribution to our knowledge of the interplay between art and ideology in the eighteenth century.' Art History

'This is a book which is both enjoyable to read and informative.' Agricultural History Review

'A valuable and pertinent book which art-historians of all political persuasions ought to read.' Notes and Queries

'An important book.' Burlington Magazine

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
Cambridge University Press
Date d'édition
1983
Langue
anglais
ISBN 10 
0521276551
ISBN 13 
9780521276559
Reliure
Broché
Nombre de pages
192
Coordonnées du fabricant
non disponible
Personne responsable
Avery
https://www.avery.fr/

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France