The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. Edited and introduced by L. A. Beaurline, the New Cambridge Shakespeare edition of King John offers the most complete account to date of the play's stage history, with accompanying illustrations to demonstrate its dramatic potential. Although King John fell out of fashion by the end of the nineteenth century, Beaurline shows how its political importance, rich and varied language, and skilful design suggest that it should occupy a prominent position among Shakespeare's historical tragedies. In the Appendix, Beaurline surveys the arguments about the dating of the play and the anonymous Troublesome Reign of King John, and presents new evidence to support the view that Shakespeare's play was written first.
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The Oxford Shakespeare is an admirably scholarly edition, immaculately presented, offering close attention to possibilities of staging as well as meaning.' Dr D. Sedge, Exeter University
'This edition offers the most substantial & one of the most penetrating discussions of the play to date. A remarkable scholarly achievement.' Dr René J.A. Weis, Department of English, University College, London
`The major strength of Professor Braunmuller's edition is its introduction. He offers a sane review of such difficult questions as the date of the play, and such controversial ones as its relation to "The Troublesome Reign". The evidence is marshalled in a lucid manner and sensible conclusions drawn ... This is a significant contribution to the (now quickly developing) debate on "King John", and a good demonstration that investigations of Shakespeare as a political dramatist (as opposed to a moral stage) need not be critically reductive.' The Review of English Studies
'By its 'conventionally ordered introduction' (p.1), A.R. Braunmuller's Oxford King John signals that it is, indeed what the dustjacket claims, 'the most thorough scholarly edition now available' ... his edition foregrounds technical material important to scholars over more general interests ... Braunmuller's approach to editing is as fair-minded and scholarly as his introduction ... the King John that sets out the issues most fully and fairly, the edition I want in my study, is Braunmuller's 'conventionally ordered', scholarly text.' Virginia Mason Vaughan, Clark University, Worcester, Massachusetts, Yearbook of English Studies, 1992
King John had a distinguished life on the eighteenth- and nineteenth-century stage, but for most of this century the play has been undervalued. The introduction to Professor Beaurline's edition presents the fullest account to date of the stage history, with accompanying illustrations to suggest the dramatic potential of the script. The play's political importance, its rich and varied language, and its skilful design suggest that King John deserves a high place among Shakespeare's historical tragedies. Professor Beaurline points out that late in the play the Bastard Falconbridge's character assumes some of the attitudes of Montaigne, especially his mixed feelings about the affairs of this world. The textual analysis includes examination of several disputed emendations to the text. In the appendix Beaurline surveys the arguments about the dating of Shakespeare's King John and the anonymous Troublesome Reign of King John, and he presents new evidence for the possibility that Shakespeare's play was written first. In the course of the argument King John is seen as an original play of considerable stature, expressing important historical and political ideas, explored through private conscience.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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