Professor Donno's fully annotated edition, based on the Folio text, explains Shakespeare's language in its sixteenth -century social and dramatic context. The introduction emphasises the play's Illyrian setting, a locale that distances the mad actions of the romantic lovers and the comic Sir Toby with his crew from the real world where the wind blows and the rain falls, The play's major themes and characters are defined against their counterparts in Shakespeare's sources and against later parodies or plot adaptations. An illustrated history of the play's fortunes on stage pays particular attention to the part of Malvolio, whether he is played as tragic, burlesque or 'straight'. The interpretation of his role offers a clue to the different preoccupations of productions and critics.
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William Shakespeare, also known as “Bard of Avon”, is regarded as one of the greatest writer in the English language and the finest dramatist of the world. He was a successful English poet, Playwright, and actor. He is often called England’s National Poet. His works have been translated into every major language of the world, and are performed the most as compared to any other playwright. His works, along with some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and few other verses, of which the authorship of some is unconfirmed. Shakespeare’s private life is much speculated about, as too few records of his private life have survived. The known works of Shakespeare were produced between 1589 and 1613. In the early phase as a playwright, Shakespeare mostly produced comedies and histories, and these works are considered as one of the best in these genres. Afterwards, he wrote tragedies until about 1608, which include Hamlet, Macbeth, King Lear, and Othello. These works are also one of the finest in English language, and literature. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights.
A delightfully comic tale of mistaken identities, Twelfth Night revolves around the physical likeness between Sebastian and his twin sister Viola, each of whom, when separated after a shipwreck, believes the other to be dead. The theatrical romp begins when Viola assumes the identity of Cesario, a page in the household of the Duke of Orsino. The Duke is enamoured of the Countess Olivia, who spurns him for the newly arrived young page. The comical machinations of Malvolio, Sir Toby Belch, the maid Maria and Sir Andrew Aguecheek add to the ensuing confusion all of which is pleasantly resolved when Viola and Sebastian meet once again. Filled with some of the finest comedic scenes in the English language, this entertaining masterpiece remains one of Shakespeare's most popular and most performed comedies.
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