Professor Fulcher argues that French grand opera was a subtly used tool of the state.
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French grand opera, this book argues, was a different and more complex kind of theater than we ordinarily suppose. Focusing on the period of grand opera's rise, its dominance, and its final decline, Professor Fulcher shows that it was a subtly used tool of the state. Using the Opera's archives, she analyses the mechanism and goals of state intervention in the theatre and how these underwent subtle change. As she demonstrates, the official framework helped to shape not only the nature of artistic development, but also politicized the theatrical experience itself. Although concerned with the audience's understanding of the operas, this book is not narrowly a 'reception history'. Rather, it is an attempt to see the part played by grand opera in a specific social and cultural context - how it arose within larger structures and in turn reacted back finally upon them.
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Hardback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR011622795
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Vendeur : Goodwill of Silicon Valley, SAN JOSE, CA, Etats-Unis
Etat : good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear. N° de réf. du vendeur GWSVV.0521327741.G
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