Michael Kubovy, an experimental psychologist, recounts the lively history of the invention of perspective in the fifteenth century, and shows how, as soon as the invention spread, it was used to achieve subtle and fascinating aesthetic effects. A clear presentation of the fundamental concepts of perspective and the reasons for its effectiveness, drawing on the latest laboratory research on how people perceive, leads into the development of a new theory to explain why Renaissance artists such as Leonardo and Mantegna used perspective in unorthodox ways which have puzzled art scholars. This theory illuminates the author's broader consideration of the evolution of art: the book proposes a resolution of the debate between those who believe that the invention/discovery of perspective is a stage in the steady progress of art and those who believe that perspective is merely a conventional and arbitrary system for the representation of space.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Michael Kubovy, an experimental psychologist, recounts the lively history of the invention of perspective in the fifteenth century, and shows how, as soon as the invention spread, it was used to achieve subtle and fascinating aesthetic effects. A clear presentation of the fundamental concepts of perspective and the reasons for its effectiveness, drawing on the latest laboratory research on how people perceive, leads into the development of a new theory to explain why Renaissance artists such as Leonardo and Mantegna used perspective in unorthodox ways which have puzzled art scholars. This theory illuminates the author's broader consideration of the evolution of art: the book proposes a resolution of the debate between those who believe that the invention/discovery of perspective is a stage in the steady progress of art and those who believe that perspective is merely a conventional and arbitrary system for the representation of space.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Zoom Books Company, Lynden, WA, Etats-Unis
Etat : very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. N° de réf. du vendeur ZBV.0521368499.VG
Quantité disponible : 1 disponible(s)
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Etat : Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc. N° de réf. du vendeur 00102681004
Quantité disponible : 1 disponible(s)
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0521368499I3N00
Quantité disponible : 1 disponible(s)
Vendeur : Timshala Books, Olathe, KS, Etats-Unis
Softbound. Etat : New. N° de réf. du vendeur 120001144
Quantité disponible : 1 disponible(s)
Vendeur : Heartwood Books, A.B.A.A., Charlottesville, VA, Etats-Unis
Trade Paperback. Etat : Good Plus. Good Plus, internally clean, solid paperback with minor bumping and some curling to the cover. #. N° de réf. du vendeur 18766
Quantité disponible : 1 disponible(s)
Vendeur : MW Books, New York, NY, Etats-Unis
First Paperback Edition. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly well-preserved overall. Physical description: xiv, 192 pages : illustrations ; 27 cm. Subjects: Perspective Psychological aspects; Visual perception Psychological aspects; Painting, Renaissance; Perspective Aspect psychologique; Perception visuelle Aspect psychologique; Peinture de la Renaissance Histoire; Renaissance Art; Painting; Psychology. 1 Kg. N° de réf. du vendeur 442070
Quantité disponible : 1 disponible(s)
Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR008828569
Quantité disponible : 1 disponible(s)
Vendeur : MW Books Ltd., Galway, Irlande
First Paperback Edition. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly well-preserved overall. Physical description: xiv, 192 pages : illustrations ; 27 cm. Subjects: Perspective Psychological aspects; Visual perception Psychological aspects; Painting, Renaissance; Perspective Aspect psychologique; Perception visuelle Aspect psychologique; Peinture de la Renaissance Histoire; Renaissance Art; Painting; Psychology. 1 Kg. N° de réf. du vendeur 442070
Quantité disponible : 1 disponible(s)
Vendeur : Walden Books, London, Royaume-Uni
Hardback. Etat : Very Good. Printed card covers, lightly edgeworn, owner's shelfmark on spine, some annotations in pen, binding tight. ; 7.25 X 0.75 X 10 inches; 208 pages. N° de réf. du vendeur 56104
Quantité disponible : 1 disponible(s)
Vendeur : FIRENZELIBRI SRL, Reggello, FI, Italie
Etat : BUONO. NOTA:Segni d'uso alla copertina e bruniture alle prime pagine. / Cambridge University Press cm.17x24, pp.208, brossura con copertina figurata a colori. Edizione Inglese Michael Kubovy, an experimental psychologist, recounts the lively history of the invention of perspective in the fifteenth century, and shows how, as soon as the invention spread, it was used to achieve subtle and fascinating aesthetic effects. A clear presentation of the fundamental concepts of perspective and the reasons for its effectiveness, drawing on the latest laboratory research on how people perceive, leads into the development of a new theory to explain why Renaissance artists such as Leonardo and Mantegna used perspective in unorthodox ways which have puzzled art scholars. This theory illuminates the author's broader consideration of the evolution of art: the book proposes a resolution of the debate between those who believe that the invention/discovery of perspective is a stage in the steady progress of art and those who believe that perspective is merely a conventional and arbitrary system for the representation of space. N° de réf. du vendeur 347637
Quantité disponible : 1 disponible(s)