Carl Dreyer (1889-1968) is the subject of this analysis which concentrates on his three most accessible sound films - "Day of Wrath", "Odet" and "Gertrud". Often regarded as esoteric and challenging, Dreyer has rarely been studied, and this book attempts to reverse the trend.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
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