In Doctor Faustus, his last major novel, Thomas Mann attempted to interpret and judge Germany's role in European culture and history since the Reformation. Through the figures of the solitary avant-garde composer, Adrian Leverkühn, and his often bemused biographer Serenus Zeitblom, Mann explores Germany's self-understanding and self-assertion. The novel intermingles fiction and history in a narrative that combines complex psychological analysis, virtuoso stylistic parody and vivid evocation of atmosphere and milieu. Michael Beddow analyses the structure of the plot and explores the significance of its chief historical, theological, psychological and musical themes. He considers Mann's understanding and modification of the Faust tradition, his thematic and formal indebtedness to Nietzsche and his interest in Adorno's neo-Marxism. The study concludes with an account of the work's generally hostile reception in defeated Germany.
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In Doctor Faustus, his last major novel, Thomas Mann attempted to interpret and judge Germany's role in European culture and history since the Reformation. Through the figures of the solitary avant-garde composer, Adrian Leverkühn, and his often bemused biographer Serenus Zeitblom, Mann explores Germany's self-understanding and self-assertion. The novel intermingles fiction and history in a narrative that combines complex psychological analysis, virtuoso stylistic parody and vivid evocation of atmosphere and milieu. Michael Beddow analyses the structure of the plot and explores the significance of its chief historical, theological, psychological and musical themes. He considers Mann's understanding and modification of the Faust tradition, his thematic and formal indebtedness to Nietzsche and his interest in Adorno's neo-Marxism. The study concludes with an account of the work's generally hostile reception in defeated Germany.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : Very Good. In this study, Michael Beddow analyses the chief historical, theological, psychological and musical themes of this complex work, and considers Mann's indebtedness to the Faust tradition, Nietzsche and neo-Marxism. Series Editor(s): Stern, J. P. Series: Landmarks of World Literature. Num Pages: 136 pages, 2 tables. BIC Classification: 1DFG; 1DN; 2ACG; DSBH; DSK. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 198 x 129 x 8. Weight in Grams: 145. Good clean copy with light shelf wear. Covers showing light wear. Lightly toned, text is crisp and clear and remains a very good copy. 1994. paperback. . . . . N° de réf. du vendeur KSG0040014
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Etat : Very Good. In this study, Michael Beddow analyses the chief historical, theological, psychological and musical themes of this complex work, and considers Mann's indebtedness to the Faust tradition, Nietzsche and neo-Marxism. Series Editor(s): Stern, J. P. Series: Landmarks of World Literature. Num Pages: 136 pages, 2 tables. BIC Classification: 1DFG; 1DN; 2ACG; DSBH; DSK. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 198 x 129 x 8. Weight in Grams: 145. Good clean copy with light shelf wear. Covers showing light wear. Lightly toned, text is crisp and clear and remains a very good copy. 1994. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur KSG0040014
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Paperback. Etat : new. Paperback. In Doctor Faustus, his last major novel, Thomas Mann attempted to interpret and judge Germany's role in European culture and history since the Reformation. Through the figures of the solitary avant-garde composer, Adrian Leverkuehn, and his often bemused biographer Serenus Zeitblom, Mann explores Germany's self-understanding and self-assertion. The novel intermingles fiction and history in a narrative that combines complex psychological analysis, virtuoso stylistic parody and vivid evocation of atmosphere and milieu. Michael Beddow analyses the structure of the plot and explores the significance of its chief historical, theological, psychological and musical themes. He considers Mann's understanding and modification of the Faust tradition, his thematic and formal indebtedness to Nietzsche and his interest in Adorno's neo-Marxism. The study concludes with an account of the work's generally hostile reception in defeated Germany. In Doctor Faustus, Thomas Mann attempted to interpret and judge Germany's role in European culture and history since the Reformation. In this study, Michael Beddow analyses the chief historical, theological, psychological and musical themes of this complex work, and considers Mann's indebtedness to the Faust tradition, Nietzsche and neo-Marxism. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780521375924
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