This book includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Perspectives on Mozart Performance, published during the Mozart bicentennial year, is the first volume in a new series. It includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance. Several studies consider the eighteenth-century roots of Mozart's approach to performance and examine such issues as the role of ornamentation (Paul Badura-Skoda, Frederick Neumann), improvization (Katalin Komlós), cadenzas (Christoph Wolff), and Mozart's conception of tempos in a pre-metronomic age (Jean-Pierre Marty). Two studies examine Mozart's string writing (Jaap Schroeder) and the influence of his father's remarkably popular Violinschule (Robin Stowell). An essay by Peter Williams treats Mozart's use of the chromatic fourth and performance styles associated with that figura. Finally, the later, nineteenth-century response to Mozart is explored through the study of Mendelssohn's performances of Mozart (R. Larry Todd).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : Near fine. Etat de la jaquette : very good +. first edition. 7 x 10 in. Paper boards. Condition is NEAR FINE ; clean, no wear, corners and spine ends mildly bumped. Binding tight. Text spotless. DJ is VERY GOOD+ ; clean, a touch rubbed. Mus. Stax. N° de réf. du vendeur 50187
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Hardcover. Etat : Used. Etat de la jaquette : Fine. First Edition. First Edition from Cambridge University Press in near fine condition. Pages are clean and bright. Spine is straight and tight. Dust jacket is in mylar. Overall a really nice, clean edition for your collection! N° de réf. du vendeur 54217
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